A Quote by Teyonah Parris

I've had the struggling actor experience. At one point in New York, I was holding four jobs, including bottle service girl, while I was trying to break into acting.
I have the cliche 'struggling actor' story. I was waiting tables in New York, went out to L.A. soon after graduation to get some jobs, but it didn't work out. I wanted to cut my teeth in professional theater, so I came back to New York. It made my journey a longer one, but I really wanted to excel in the theater.
Let me tell you who I am: I'm a girl from New Jersey who moved to New York and worked in a bar while trying to make a living at what I really wanted to do, which was act.
Basically, the prosecutor who led case against me and that administration were trying to say that an actor can be held responsible for his acting, thousands of miles away from where he did the acting. The analogy would be if an artist painted a nude painting in New York City, and it was met with accolades and great reviews. And suddenly, somebody from Texas bought it and put it in their shoe store and it was found to be obscene in Texas, the artist in New York is responsible, and goes to jail because it's obscene in Texas.
I've never been one for sitting on beaches. Let me tell you who I am: I'm a girl from New Jersey who moved to New York and worked in a bar while trying to make a living at what I really wanted to do, which was act.
I just spent a lot of time on 'ER' for that eight years. I also started working when I was 16, so by the time I left 'ER,' I was 40 years old, I had this incredible experience, my wife had this great company, we had four kids, it was like, 'Let's go to New York and live for a while and make that the priority.'
I started coming up to New York at age 17. There was a girl I met over the summer somewhere; I was chasing her. I would drive up to D.C., where I had made some friends, which was about four hours away, and we would take the bus up to New York.
My point is that, over the years, I've taught five thousand people acting and lately I have a lot of energy on these kids, having the same break I had as a high school girl.
I grew up, especially as an actor thinking that I had to move to New York to be a good actor. But after a while you start to live the world a little bit and you start to appreciate where you're from.
Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
I had an incredible experience living in New York, playing for the Yankees, to go through all of the things I did, including the no-hitter. It was a very memorable time.
I have ten marathons under my belt, including four New York races and one Boston.
Hemingway describes literary New York as a bottle full of tapeworms trying to feed on each other.
Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, 'I will be a comedic actor.' I just thought, 'I'll go into acting and see what kind of work I can get.'
Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, "I will be a comedic actor." I just thought, "I'll go into acting and see what kind of work I can get."
When you do bigger jobs there's more attention and when you film in New York you get loads of paparazzi everywhere. It affects your work because you're trying to think about the person you're acting with and you've got 20 other lenses taking pictures of you at the same time, and it throws you.
I was in college, I thought I was going to be a lawyer, I met this girl named Laura who was the most beautiful girl I had ever known, and she was taking an acting class, so I decided to take the same acting class. And I was a terrible actor in college.
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