A Quote by Thakoon Panichgul

I encourage people to play around, mix proportions, textures, seasons and prints, and to find what makes them feel their most comfortable and expressive. — © Thakoon Panichgul
I encourage people to play around, mix proportions, textures, seasons and prints, and to find what makes them feel their most comfortable and expressive.
In Moscow I feel most comfortable. I'm used to four different seasons; it's difficult for people in London to understand. People brought up in Russia like my kids want to play in the snow.
A photographer needs to be a good editor of negatives and prints! In fact, most of the prints I make are for my eyes only, and they are no good. I find the single most valuable tool in the darkroom is my trash can - that's where most of my prints end up.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
The whole arrangement of my picture is expressive. The place occupied by the figures or objects, the empty spaces around them, the proportions, everything plays a part.
The problem of architecture has always been the same throughout time. Its authentic quality is reached through its proportions, and the proportions cost nothing. In fact, most of them are proportions among things, not the things themselves. Art is almost always a question of proportions.
Expression for me does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive; the place occupied by my figures, the empty space around them, the proportions, everything has its share.
I'm not comfortable being around too many people. I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff. So most of the characters I play are people who don't always feel comfortable beyond their small circle of friends.
I grew up in a highly Hispanic neighborhood. It was very rare to find any race other than Mexicans. I feel very comfortable around Spanish speakers and people from Mexico and people who don't always feel comfortable living in the U.S. because they are in fear of being deported.
I feel more confident in being able to be funny if I'm comfortable with the people I'm around. When you're friends with them, it just makes it all the better. Plus, shooting a movie, you're sitting on your ass for hours at a time, so if you have somebody there to mess around with and have fun, then it's great.
I didn't feel comfortable as an executive. I felt comfortable around artists and record producers... and then I found my niche: I gotta find great producers, and I produce them.
I'm hugely inspired by the '60s and the '70s. I just love the music of that time and the overall freedom of that era. I love that the idea of clashing didn't really exist. You could mix prints on prints, you could mix fabrics and colors - and it was more about the way you felt than about the label and trends. That's something that I've always gravitated towards.
Alto (saxophone) is just a very hard instrument; there's so few people that play it really well. I feel it's the best one, too, now. At first I didn't feel that way; I wanted to be a tenor player. It took a long time for me to feel that alto was the most expressive of the saxophones.
It’s wonderful, it’s expressive. It’s a way of using a part of my instrument that I’m comfortable and familiar with. The voice is such a vital part of crafting a character. I’m so pleased that I have the kind of voice that prints well and that people want to hear. I’ve had friends actually say, ‘You know, I was in the kitchen, and the television was on and I heard you.’ I love hearing that there’s something familiar about my sound, and that to some people it’s soothing.
Photographers should make three or four prints from one negative and then crop them differently. When I was art director at Harper's Bazaar and at several agencies as a consultant, young photographers would bring me their portfolios and all the prints would be in the same standard proportions, either for the Leica or the Rolleiflex. Many times, by limiting themselves in this way, they missed the true potentialities of their photographs.
One of the most crucial but hardest things to do as part of turning your life around is to get rid of all the negative people around you and replace them with people who encourage you instead.
I live on a plane. I like to visit London. If I had to think where I could live if not Moscow, London would be my first choice, and second would be New York. In Moscow I feel most comfortable. I'm used to four different seasons; it's difficult for people in London to understand. People brought up in Russia like my kids want to play in the snow.
This site uses cookies to ensure you get the best experience. More info...
Got it!