A Quote by Thalaivasal Vijay

Be it 'Thevar Magan' or 'Magalir Mattum,' people still remember me for what I have performed and when it comes to characters, I don't want to restrict myself. — © Thalaivasal Vijay
Be it 'Thevar Magan' or 'Magalir Mattum,' people still remember me for what I have performed and when it comes to characters, I don't want to restrict myself.
Nayakan,' 'Sathya' and 'Thevar Magan' are my biggest influences.
Despite strict instructions from my mother not to step out of the house, I cycled all the way to Vellore to watch 'Thevar Magan.' In fact, I grew up watching classic films such as 'Naayakan,' 'Thaalapathi' and 'En Bommukutty Ammavukku.'
I don't want people to remember me by my name. I'd rather feel honored if people will remember me by my characters.
I want to do everything. I don't want to restrict myself. I would love to do what comes my way, something that excites me.
When my opera Plump Jack was performed in 1989, my first piano teacher sent me something that I'd composed when I was four. I remember I played it, and it still sounded like me. I'm the same composer I was then.
I never want to restrict myself and say I'm at my ultimate peak, I'm always looking to take myself to a higher level.
People relate to my characters and see me in a different way. They identify with me and remember the nuances of my characters.
When people say 'You're so beautiful' it makes me want to kill myself! As an actress you want to be seen for what you do, for the characters you can play, otherwise I'd be a model.
When people say 'You're so beautiful' it makes me want to kill myself! As an actress you want to be seen for what you do, for the characters you can play, otherwise I'd be a model
I want to do glam roles, too. I don't want to restrict myself when it comes to doing good cinema.
I don't want to restrict myself and want to work in all genres of cinema.
And now I’m looking at you,” he said, “and you’re asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that makes me stronger than anything else ever has. I never dared give much of myself to anyone before – bits of myself to the Lightwoods, to Isabelle and Alec, but it took years to do it – but, Clary, since the first time I saw you, I have belonged to you completely. I still do. If you want me.
I discovered 'Rite of Spring' when I was 21. As a matter of fact, not with orchestra first, because it was still a work which was not often performed. Don't forget that I was 19 in 1944, still the Occupation time. So it was performed slightly after the end of the war, in 1945.
Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
I want to work with people that frighten me and excite me, and characters that I don't believe I'm the best person for the part but I'm still gonna try anyway. Those are my favorite roles.
I was playing 'The Flight of the Bumblebee,' and I totally forgot the ending, so I performed the whole piece again, and I still couldn't remember it.
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