A Quote by Thao Nguyen

Sometimes I say things in interviews and then I see them in print and I think, "What an asshole." — © Thao Nguyen
Sometimes I say things in interviews and then I see them in print and I think, "What an asshole."
Sometimes if I do radio interviews or certain kinds of interviews or things that would require me to travel, then I'll get a nice car ride. Someone will take me, drive me to that place, and I'll actually get to see around.
I used to bug all of the comedians for interviews, and when people want to talk to me, sometimes I'm very receptive and sometimes I say no. Sometimes if I say no, I think, "If they're smart, they'll figure out how to not accept this no."
? top up position down The fact that I suspect I'm an asshole means I probably am not, because a real asshole doesn't think he's an asshole, does he? Therefore, by realizing that I'm an asshole, I am in fact negating that very realization, am I not? Descartes's Asshole Axiom: I think I am; therefor I'm not one.
If you're an asshole, you have an excuse for being an asshole because you're a junkie. But then once you give up the drugs, and you're still an asshole, that's problematic.
I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to. So I've read a lot of different versions of myself - and all of them are true because it's all opinion and they're as accurate as it can ever be. But I don't think that I've been deft at hiding parts of my personality.
I mean, I'm always happy if I have, like, humiliating asshole things that I did. I think: Oh good, that's a good story. Because if you write about humiliating asshole things other people do it doesn't work as well. I mean, you can, but you can get away with it better if you talk about what an asshole you are. It's much easier.
I won't do any print interviews anymore. No matter what I say, it gets distorted.
My standards are higher than they used to be, I think. They don't necessarily have to make sense, but I certainly work on them a lot harder now -- partly because I do them on the computer, and I print them out and fix them, and print them and fix them over and over again, whereas in the early days I used to just scratch down a few things on a piece of paper.
Sometimes you meet someone, and they seem great, they seem exactly what you're thinking of for the role, and then you put a camera on them, and they freeze. And other people come to life with the camera on them. I haven't discovered any reliable predictor for that; I think you just have to try it and see what happens. And, you know, sometimes the people who freeze, if you find the right magic word to say to them, you can unlock them.
I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.
I used to be asked in interviews what I see for myself 10 or 15 years down the line, and I would say that I see wonderful and interesting things to do.
I opened my mouth wide one time to see if the words I was thinking would fall out, but they wouldn’t. If words don’t want to come out, they don’t. I don’t understand when people say things and then they say, I didn’t mean to say that. Words don’t just fall out. You have to push them out. And sometimes, you can’t push them out, even if you want to.
In general, I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to.
I remember when I first started modeling, and I would read interviews with people. Then I would see them, and they would always say something entirely different to a crowd of people than they would say privately. I always found that really offensive.
I read reviews every time. I read them all. Sometimes they can be very constructive, sometimes not, but it's always interesting to see the opinion of others on what you are doing. Sometimes I am very furious, but I will never say to a journalist, "Please don't come back to the next show." Never. Because I think that's a very stupid attitude. I am very happy when I see the results of the company and when I see people wearing my clothes or my accessories. I think this is the best answer to criticism.
I say really stupid things sometimes. When I go back and watch some of my old interviews from when I was younger, I just cringe.
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