A Quote by The D.O.C.
When I first got to Los Angeles, hip-hop music was a scary thing not only to white America but to middle-class black America.
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The first thing that always pops into my head regarding our president, is that all of the people who are setting up this barrier for him... They just conveniently forget that Barack had a mama, and she was white - very white; American, Kansas, middle of America. There is no argument about who he is, or what he is. America's first black president hasn't arisen yet. He's not America's first black president. He's America's first mixed-race president.
I turned a lot of people in white America - and not just white America, but middle-class America - into hip-hoppers, you know?
White America is tortured by black America's failure to thrive, and all that guilt and anxiety has only gotten worse as a substantial quota of white America loses its own footing in the middle class and plunges into the rough country of joblessness, hopelessness, and government dependency.
Unfortunately there is a standard set for it that precedes hip-hop. It would be great if corporate America didn't do this, but there is a huge market for sex and violence and anti-Black representations in America and the world that doesn't begin or end with hip-hop.
There's a very big gulf between the black civil rights leadership in America and the black middle class in America. The black middle class are conservative. Many of those minorities can be persuaded to be members of the Republican Party.
It's fair to say that white America wouldn't have elected an African-American president without the integrating effect of black music - from Louis Armstrong to hip-hop - and black drama and fiction, commercial as much as 'serious.'
The question 'Why white kids love hip-hop?' forces us immediately to deal with the historical weight of race in America. On the surface people see hip-hop and race as nothing new. I think the ways young white Americans are engaging hip-hop suggest something more.
When I say hip-hoppers, I mean black, white, Asian, Latino, Chicano, everybody. Everybody. Hip-hop has united all races. Hip-hop has formed a platform for all people, religions, and occupations to meet on something. We all have a platform to meet on now, due to hip-hop. That, to me, is beyond music. That is just a brilliant, brilliant thing.
Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.
How you act, walk, look and talk is all part of Hip Hop culture. And the music is colorless. Hip Hop music is made from Black, brown, yellow, red and white.
The beautiful thing about hip-hop is it's like an audio collage. You can take any form of music and do it in a hip-hop way and it'll be a hip-hop song. That's the only music you can do that with.
You can't argue that hip-hop rots away the moral character of kids or rots their brain and still see middle-class white kids going to college who are listening to hip-hop. Going on to become healthy adults listening to hip-hop.
Hip-Hop is diverse. But the white, capitalist producers and distributors of Hip-Hop are most interested in the Hip-Hip that is misogynist, that is Black-hating, that is pugilistic, that is to say all about fighting and war and killing and gangsterism.
I guess hip-hop has been closer to the pulse of the streets than any music we've had in a long time. It's sociology as well as music, which is in keeping with the tradition of black music in America.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
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