A Quote by The-Dream
I think the emotion that song carries makes it good. Because you have to produce around something - an emotional attachment and a feeling. The melody itself has a feeling in it. The keys, the tones, frequency, sonics, all of those have feelings in it. Like, it's the ghost within, the music itself. That's what makes the song even have a possibility of being great. The emotional connection. Because if you don't have that, I don't think you really have a song.
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I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.
I think the difference between a good song and a great song is... honestly, I think the lyrics, because if you have a really solid melody and solid track and everything is there but then the lyric is just okay, then you've got a good song.
For the first records I really never thought about anything other than the song itself. I thought that this was what the job of a songwriter was. I was really approaching music from a very different standpoint. To me when I was younger the song was just the melody. I think as I've gotten older and have been recording myself I've become aware of just how many layers can exist within a song besides just the main vocal.
In a way it's the emotional feeling that you get in a good rock song or folk song, there's just nothing that rivals that.
Every song I've ever written always starts with the words because I want the music to be the musical extension of the feelings of the words, and not the words being the emotional extension of the feeling of the music.
I always know when a song is good or close to finished. When I sing it, it makes me feel the emotion. My tears will start flowing or I'll start laughing. I'll start feeling whatever intensity or emotion was the seed of that song.
Without you hearing a melody or music or anything like that, it would say something to you. So, that's what a song is to me. Now, you have a lot of songs that come out, and the beat carries them over there, because of the beat, and because of some other factors and so on and so forth. But I want mine to be a song, if you read it, it's going to mean something to you.
The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
I think that a song, when it works, never mind a piece of long form music, even a song is something that speaks to itself but has a language all of its own, ideally.
If you have a song that you think sounds like another song you should contact the publishing company and say I have a song here, let's cut a deal that lets everyone walk away feeling good.
A good song is a nice set of chords and some good lyrics; a great song is a song that reinvents itself over time. That you can always find something interesting in the more you listen to it - it keeps revealing something to you.
I am saying what comes out, because I'm really not a methodical writer. I'm not a good building writer, where you are like "well, I going to make a song today, and I think it will be a pop song." Some people are great at it and it's beautiful. If I am feeling musical and I pick up the guitar, usually something will eventually come out and I'll see where it goes.
I keep reminding people that an editorial in rhyme is not a song. A good song makes you laugh, it makes you cry, it makes you think.
Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back-- you're there... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through-- the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying.
Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
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