A Quote by The-Dream

I think what makes me great as a songwriter is there's still an artist behind it. — © The-Dream
I think what makes me great as a songwriter is there's still an artist behind it.
I think I'm better at producing than I am at being a songwriter, but it doesn't change the fact that I still have a desire to play and write songs. I've never wanted to be a career musician. But I still love to play and write. It's a big part of who I am. Songwriting is not particularly easy for me. I think it would be easy for me if I didn't have such high restrictions and feelings about what I want my music to be. I'm not precious at all when it comes to producing music and I can bring that to an artist and let them expand their horizons.
That is what diminishes the artist and his song. The artist is now hermetically sealed. The publishing company got him his deal and they expect to profit from his songs. So what if he is a better singer than a songwriter; let's put him in a room with a real songwriter. Something great is bound to come...except very often nothing great comes out of such contrived match-ups. Nobody knows where a great song comes from, and that's why so many writers credit the Lord as a co-writer (though I notice they never offer Him half the writer's royalties) when they come up with a real gem.
I think great art goes beyond the control of the artist. In some ways, art often makes itself and reveals things about that artist that maybe the artist is not fully conscious of.
I like Ludacris; I think that he's a complete artist. I think that he makes great records; I think that he is a great lyricist and at the same time I think he knows how to have fun.
[George Michael] is a great songwriter and he makes very classy videos, like me.
I've had the great luxury in my career to be so successful as a songwriter that I didn't have the desperate need to have material to tour behind. It took a lot of pressure off me.
There are lots of come-from-behind wins, games getting tied in the last period, teams going on to win. That, I think, tells the best story. Whether or not some teams have more grit, better chemistry, or more luck or more skill, it's still within the parameters. I think that makes for great storytelling and great interest for our fans.
That is the most important thing to me, what happens behind the closed doors in the studio and makes me an artist.
I'm knocking on 50, and I'm still getting recognized for playing a 14-year-old boy. It makes me think I must still look great!
The exciting thing about a songwriter is that, you know, particularly if you're a songwriter and an artist and you play the parts and you're producing it and all that, you have various times you have to critique what you do.
I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.
I think of childhood as an explosion of creativity. For most people, growing up and earning a living means leaving all that behind. But an artist never leaves that behind. Edwin Mullhouse was my way of exploring the child as artist and, under the guise of childhood, something larger.
'Clown' was written when I couldn't find anyone who believed in me as an artist. Maybe those labels will think twice next time a young songwriter comes along.
Clown' was written when I couldn't find anyone who believed in me as an artist. Maybe those labels will think twice next time a young songwriter comes along.
Leaping away from my mistakes has propelled me forward. It has great force behind it. It makes for great storytelling.
When I'm outside gardening, it can be so inspiring. I think of words and melodies. It's peaceful. Every singer-songwriter should find something outside of music that makes them as happy as gardening makes me.
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