A Quote by The-Dream

I want to be the king of music. Period. — © The-Dream
I want to be the king of music. Period.

Quote Topics

I love the music from Nat King Cole, BB King, Albert King... When I think of it, I wouldn't mind being renamed Angus King.
I want to see myself as being the king of this: the king of music, man, and everything I lay my hands on.
King Fahd was a man of great vision and leadership who inspired his countrymen for a quarter of a century as king. He led Saudi Arabia through a period of unparalleled progress and development.
I didn't want my music to be confused - even though I was and had a lot of questions. I wanted my music to capture a period in my life where I was sure.
I want to make the music that people remember, and it doesn't need a trend; it doesn't need to be constantly hyped. There's no time period for it. That's the type of music I want to make.
I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.
I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.
The whole world is in revolt. Soon there will be only five Kings left--the King of England, the King of Spades, The King of Clubs, the King of Hearts, and the King of Diamonds.
I’m just being myself. There is not an ounce of me that believes any of that crap that they say. We can’t be feminine and be feminists and be successful? I want to be a f-king feminist and wear a f-king Peter Pan collar. So f-king what?
Gospel music was very prevalent in my house. My mother also loved Nat King Cole. That was some of the first music that I heard. Mahalia Jackson, Nat King Cole and the Mississippi Mass Choir.
I don't want to be the king, 'I don't need that, I want to race even without the helmet, I am the king.' I am not like that. I just want to make things better for the drivers and for the safety.
I want my fans to listen to my music. Period.
Every king sleeps, but not every king wakes up as king! The snakes of the intrigue crawl around during the night! The cleverest king is the least sleeping king!
As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.
I was king of the mountain for a long time, well, I don't want that no more. I like to perform every once in a while for people who want to see me, and cut albums of music that is what I'm really about.
I've been extremely lucky to work with Elmer Bernstein, Howard Shore over the years, but I've always imagined films with my own scores, because I don't come from that world or that period of filmmaking. And so how could I make up my own score on a film like this where it isn't necessarily made up of popular music from the radio or the period; it isn't necessarily classical music. But what if it's modern symphonic music?
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