A Quote by The Edge

If there is a perfect book to start the year with it has to be Rebecca Mead's My Life in Middlemarch. — © The Edge
If there is a perfect book to start the year with it has to be Rebecca Mead's My Life in Middlemarch.
Rebecca Mead's My Life in Middlemarch is a wise, humane, and delightful study of what some regard as the best novel in English. Mead has discovered an original and highly personal way to make herself an inhabitant both of the book and of George Eliot's imaginary city. Though I have read and taught the book these many years I find myself desiring to go back to it after reading Rebecca Mead's work.
You come home to find your 17-year-old daughter engrossed in a book. Which would delight you more - if it were 'Twilight' or 'Middlemarch?'
What's your favorite book?' is a question that is usually only asked by children and banking identity-verification services--and favorite isn't, anyway, the right word to describe the relationship a reader has with a particularly cherished book. Most serious readers can point to one book that has a place in their life like the one that 'Middlemarch' has in mine.
The Rebecca Riots by David Williams is an unassuming book, but its significance is universal. The book and its author determined my life; they made me want to be a historian of Wales and of the world.
The start of the New Year is a perfect time to start a stop doing list and to make this the cornerstone of your New Year resolutions, be it for your company, your family or yourself. It also is a perfect time to clarify your three circles, mirroring at a personal level the three questions... 1) What are you deeply passionate about? 2) What are you are genetically encoded for - what activities do you feel just "made to do"? 3) What makes economic sense - what can you make a living at?
Middlemarch, the magnificent book which with all its imperfections is one of the few English novels for grown-up people.
Run a test. Give a 5-year-old a printed book and an iPad and see what happens. That 5-year-old is going to go right for the iPad. They're not intimidated by it. They know what to do with it. They'll start searching around. And in a children's e-book, you can have links to kid-safe encyclopedia. So if they click on the lion, it takes them to Africa and tells them all about lions. So now, the e-book is educational.
There was never an accident.Rebecca was not drowned at all. I killed her.I shot Rebecca in the cottage in the cove.I carried her body to the cabin, and took the boat out that night and sunk it there, where they found it today.It's Rebecca who's lying dead there on the cabin floor.Will you look into my eyes and tell me that you love me now?
I start a book and I want to make it perfect, want it to turn every color, want it to be the world. Ten pages in, I've already blown it, limited it, made it less, marred it. That's very discouraging. I hate the book at that point. After a while I arrive at an accommodation: Well, it's not the ideal, it's not the perfect object I wanted to make, but maybe?if I go ahead and finish it anyway?I can get it right next time. Maybe I can have another chance.
I start a book and I want to make it perfect, want it to turn every color, want it to be the world. Ten pages in, I've already blown it, limited it, made it less, marred it. That's very discouraging. I hate the book at that point.
He will find one English book and one only, where, as in the "Iliad" itself, perfect plainness of speech is allied with perfect nobleness; and that book is the Bible.
Before I start a project, I always ask myself the following question. Why is this book worth a year of my life? There needs to be something about the theme, the technique, or the research that makes the time spent on it worthwhile.
some bosses are so greedy (for themselves only) they forget underlings are not thirteenth-century peasants who can be satisfied with a glass of mead and three festivals a year.
'Rebecca' by Daphne du Maurier was the first grown-up book I read, when I was aged about 12.
In American Romances, her new book of essays, Rebecca Brown has a voice that is full of pop references, family stories, and the fruits of a lifetime of -- in her perfect phrase - extreme reading. The voice is a hoot, and it is dead serious. This is writing with exquisite control, fully up to the task Brown takes on of playing a fierce game of beach ball with deep problems of American (and personal) history and identity.
I didn't really start going to see a lot of musicals and live theater probably until I was in seventh or eighth grade, maybe my first year of high school, and by that time I'd probably seen 'Grease' twice a year every year of my life.
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