A Quote by The Edge
Running my hands really fast up and down the fretboard... I mean, anybody can do that. It's the Guitar Olympics, and I can't think of anything more pointless.
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I mean, no offense, but I don't really see why, like guitar players from Creed, or something like that, are on the cover of guitar magazines. Almost anybody can sit down and learn to play those songs.
Running a fast time is good; it's better than winning. You can win with a slow time. To me, it doesn't mean anything. I like running a fast race more than a slow race.
My vocation is more in composition really than anything else - building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.
David Gilmour can do more with one note than most other guitar players can do with the whole fretboard
'Lucky' is for laughs, and there's really nothing funny that I'm doing on 'Dexter.' I think more than anything, both comment on the fact that anybody is capable of anything. Just because they are the shy guy in the corner doesn't mean that they are a harmless little bunny.
Because when does anybody really grow up? I mean, I feel more grown up now, more in a place of solidity and peace. But I think a lot of people take on these roles as parents, or husband or wife, and immediately think 'That's it. I'm grown up now. Done.'
There are times when friendship feels like running down a hill together as fast as you can, jumping over things, spinning around, and you don't care where you're going, and you don't care where you've come from, because all that matters is speed, and the hands holding your hands.
My vocation is more in composition really than anything else-building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army. ... I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened. ... I always believed in the music we did and that's why it was uncompromising. ... I don't think the critics could understand what we were doing.
In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.
My hands look terrible but I can do anything I want to do, so, you know, I just think I'm playing all around with more good taste and not dashing up and down the piano.
Well I was on the one hand, the more I played the guitar the more I began to really love the guitar and to love virtually any kind of music that anybody played well on guitar.
Learning the notes on the fretboard is key to any guitarist's development on the instrument, and [Guitar] Trainer HD is a neat way to get that info burned into your brain without having to carry a guitar with you everywhere you go. Pretty cool!
I love Jimi Hendrix obviously, and Jimmy Page and Prince. And also Elvis Presley is a really great guitar player. I don't think he ever took lessons; he was piecing it together himself. But he has great rhythm. And rhythm, to me, you can use it to your advantage if you're not all over the fretboard.
One of the reasons I took up the guitar was I didn't want to speak to anybody. I really felt uncomfortable speaking to people, so I took the guitar up so I could hide behind it. I'm not comfortable explaining things, because my brain doesn't work that way.
On a more serious note, my challenges with hearing loss are certainly an interesting journey. The surprising upside is that my difficulties in hearing have motivated me to know my guitar fretboard better. My playing has become much more melodic and intentional as a result.
Your sound is in your hands as much as anything. It's the way you pick, and the way you hold the guitar, more than it is the amp or the guitar you use.
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