A Quote by The Great Khali

I loved working with Cena. He was always receptive to my ideas, even if they weren't good. — © The Great Khali
I loved working with Cena. He was always receptive to my ideas, even if they weren't good.
There's always a Cena fan that wants to talk to me about it, and it drives me absolutely nuts. They'll come up to me in Cena stuff saying 'Why didn't you wrestle Cena?' Bro, I don't know.
You want to know why I am the perfect champion? Because you can take the strength of John Cena; the intelligence of Triple H; the desire of Cena; the athleticism of Triple H; the determination of Cena; the ruthlessness of Triple H... and if you combine these attributes into one person, you get Randy Orton. The only difference is that I have one thing that neither Cena nor Triple H has: the WWE Championship.
I have nothing but respect for John Cena and his work rate. He's one of the hardest-working wrestlers there ever was. He's been a great champion, an inspiring role model. It's not easy being John Cena and carrying all the weight of the company on your back all the time.
When John Cena came to Raw, he immediately got off on the wrong foot with Eric Bischoff. Eric Bischoff said that he thought John Cena was a would be Eminem, and Lord knows one Eminem is enough, but since that time, I have come to respect and really like this kid. This John Cena is a good guy. You can't say anything differently than that.
Congealed thinking is the forerunner of failure... make sure you are always receptive to new ideas.
I learned from many people. I became a better wrestler thanks to my matches with Edge, with Christian, with Rey Mysterio, with John Cena - who, even though you, the fans, want to criticize him, John Cena is one of the best wrestlers of the universe.
In Yale they convinced me I had no talent, even though I was always working. They cast me mostly as prostitutes and old women, and I stayed because I loved the writers. I loved Chris Durang and Wendy Wasserstein. I was always doing their work in the Yale Cabaret.
I like working with creative people who are receptive to new ideas, who want to do things that are different, who want to create films of a different mould.
I wasn't a person who hated working. When I was working and training, I loved it. I loved that I had to work that hard. I think it transformed into the gym and then transformed into the octagon. It was a good thing.
Of the creative spirits that flourished in Concord, Massachusetts, it might be said that Hawthorne loved men but felt estranged from them, Emerson loved ideas even more than men, and Thoreau loved himself.
A lot of people say now, 'John Cena doesn't work.' Well, John Cena does the things that people go to see John Cena do, and he doesn't take a lot of risks.
People who work in horror know they are contributing to a genre that has always been loved and will always be loved - privately. It's the forbidden evil working behind the curtain. My job scoring a horror movie is like being the barker at a carnival. A good barker can get anyone to walk into the roped-off tent.
John Cena is fantastic, seriously. I hate when people don't give Cena the credit he deserves.
I'm sketching ideas. They're a completely different way of working than working with editors at a magazine where you're always working with permission; approval. I'm willing to make a gentle separation. I still need to do that work since I enjoy it. It gives me access to a lot of energy in life and culture. But also, there's a part of me that is dark, sarcastic, funny. Unpredictable, even naughty.
I never once doubted that my parents cared about my thoughts and my ideas. And I always, always knew how deeply they loved me. That feeling of being valued and loved, that's what my mom wants for every child.
I started singing before I started talking. And that's the God's honest truth. I think it was something that I've always loved to do, even if I wasn't good at it. I just loved ballads.
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