A Quote by The Great Khali

Everybody wants to see a film made on them... But it's not like I will die of hunger if it's not made. — © The Great Khali
Everybody wants to see a film made on them... But it's not like I will die of hunger if it's not made.
Everybody wants that spot: everybody wants to beat Nicola Adams. Everybody wants to be the Olympic champion; everybody wants to beat the Olympic champion. It's made me train that much harder and stay that much more focused. I guess, in a way, I've got them to thank for keeping me motivated and focused on the job I need to do.
For a bag of pepper, they could cut each other's throats without hesitation, and would forswear their souls... The bizarre obstinacy of that desire made them defy death in a thousand shapes; the unknown seas, the loathsome diseases; wounds, captivity, hunger, pestilence and despair. It made them great! By heavens! It made them heroic; and it made them pathetic, too, in their craving for trade with the inflexible death levying its toll on young and old
I've always liked making things that don't deny the medium that they're made in. If it's collage, I'm happy for it to look like that. If it's a film made with computers, I don't mind that it looks like a film made with computers as long as it still has a feeling or a mood or an atmosphere that is relevant.
I make a film - and once I've made it, everyone comes along and says 'Ah! This is a film that's political, or social', or whatever. But I'm not telling the story that they see. I made a film, told a story, but I wasn't thinking about exactly what it all meant.
I wrote Murder at the Windmill. And it was accepted and we made it and it was the first film I made with Danny Angel, well the only film I actually made... I made a lot of it at the Windmill itself.
I made 'Siam Sunset.' In Australia, it was pretty much universally hated, but I did notice that almost any American who saw it loved that film, so in 2001 I made a film in America called 'Swimfan,' and they released like a big studio movie, and it made money.
Whenever we do stuff with Die Antwoord, it's kind of like... I made a lot of music before this group that I'm kind of bored of and forgot about, and everything with Die Antwoord I really love. It's the first time I've made music where, even the first songs we made, I really adore all those songs, and I'm proud of them.
When you've finished the film and everybody's already made back all their money, everybody just leaves you alone and I'm very happy. That's what it has to be like.
People don't want to always see a comedy or an action film. If the film in a particular genre is made well, then it will see its share of success.
There's not one film that I've ever made that could get made today by a studio, not one - even 'A Few Good Men' because it's an adult courtroom drama, and studios do not make them any more. And so every movie that I make, have made and will make is always going be independently financed.
I can look at something that others (might not) and I can see the value in it. I can make that film a film that everybody wants to see.
You don't have to be like everybody else or do things like everybody else. God created you to be a unique individual, and He wants you to be free to be who He made you to be.
I like the movie 'Das Boot,' the German film made in the '80s. I found out it was a series that was made into a film for the U.S.
Sometimes I watch films that I can't believe got made. Especially because I read scripts that are truly incredible, that will never get made. I don't know who is behind those decisions. It's like you just have to doodle something on a page about the underdog who finally gets the girl and the film gets made.
Teams are made up of a lot of components. They're made up of hunger, they're made up of desire, they're made up of chemistry, and they're made up of emotion.
I would like, before I die, to see the changes I've always fought for being made. If not, my life will have been worth nothing.
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