A Quote by The Miz
You're right John! I can't see you! Your movies aren't in theaters long enough!
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There's so many great Western films. Let's see, 'Red River,' any of those Henry Fonda movies are fantastic. Any of those John Ford movies are fantastic. I love all the Eastwood 'Man With No Name' movies, John Wayne, 'True Grit.'
Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.
I never want movie theaters go away. It is the greatest time out on the town. You go out, it's a great place to go, great location, great hang, great date, good place to be with friends. But as an actor who works hard at making movies, I am glad that no matter what people can see your movie on. It's hard to keep a theater for long time; there are so many movies, so when you leave a theater, you're just glad there's a life for your movie.
I think one of the finest gifts I can give my friends in the holiday season is to pause with a long enough quality to actually SEE them. My calm, unhurried presence communicates this gift of a message, "I see you. I recognize you. I remember our times of together and am contributing right now to another quality memory. I value you and honor and take the time, right this moment to pause long enough to truly notice you."
I want my movies to play in movie theaters. While festivals can fulfill a part of that, there's nothing like getting a week-long run for your movie. It's becoming increasingly difficult to get that.
I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.
I just love doing movies that I would want to see in theaters.
People are not coming into theaters to see movies. Audiences are making up their minds not to see films even before their release. It is a very sorry state of affairs.
I'm still a big believer in movie theaters, and going to see movies in public.
Hopefully we'll get to a point where there are absolutely no restrictions on any kind of violence in movies. I'd love to see us get to a point where you can go to theaters and see movies unrated and that people know its not real violence. It's all pretend. It's all fake. It's just acting. It's just magic tricks.
They're not so much fans of independent movies are they are of independent theatres. They like small theaters with a vague, septic smell. They're not wild about the newfangled theaters with the assigned seating.
When I was growing up, all the films about teenagers were played by Tony Curtis or John Cassavetes when they were 27, 28 years old. We would see these teenage movies in the theaters and I would say, "They don't look like they're my age at all." So I wanted to make a movie that was real and I wanted to make a movie that wasn't about me.
Movies don't sit in the theaters for an entire summer like they did in 1982. Now you've got a two- or three-week shelf life so you need to have that awareness right off the bat. And in order to make a lot of people know about your movie, you need to be out there banging the drum and showing your stuff.
Your Dollar is your only Word, / The wrath of it your only fear. / You build it altars tall enough / To make you see, but your are blind; / You cannot leave it long enough / To look before you or behind.
I'd skip school regularly to see movies - even in the morning, in the small Parisian theaters that opened early.
I wish I was making movies back in the days when John Ford made movies and you were a director under contract to a studio. John Ford had years when he made three movies in a year.
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