A Quote by The Miz

A lot of the times, reality shows don't like people to break the fourth wall. With a docu-series or a documentary, everyone breaks the fourth wall because you're talking to the camera quite a bit.
In drama, you're interacting with other actors to tell the story. The camera is like the theater: it's the artistic fourth wall. In a screen play, you don't look at the camera and communicate with it. But with hosting, you're looking right into the lens and talking to the people. It is a different style, and it's fascinating.
I loved Bob Hope and the way he would turn to the camera and break the fourth wall.
When the protagonist breaks the fourth wall by looking at the camera in a movie, it's generally been used for comedic purposes, rather than feeling like they're looking into your soul.
Drag breaks the fourth wall, which is why it's never been quite accepted, because nobody wants to be told that they are really a caricature of themself and to not take yourself too seriously.
As a comedy writer, I'm always praying for the day I can tell a self-aware/break-the-fourth-wall style of joke.
Like everyone is either, "I grew up with it," or "I loved it," or loved them now. And when you watch The Muppet Movie now, it is so current. It's like The Simpsons before The Simpsons. It's not as cynical as The Simpsons would be but it's self-aware and there are a billion jokes, it breaks the fourth wall every five minutes, it's astounding, it's awesome. It's very exciting to be a part of that.
It's not an understatement to say that I owe everything as an actor to 'Merlin.' It was pretty much my first job, and I didn't know what I was doing for many years on it. It wasn't until the third and fourth series - the fourth series especially - that I really found my feet with the character, and as an actress.
Historically, we have seen cis men play trans women and vice versa. That casting breaks through the fourth wall, and it gives people the message that trans people are being played by cis men in real life, which is where we get this idea of men in dresses.
Imagining things are there that are not really there, with the green screen, is very much like theatre, when you're looking at the fourth wall.
Drag is like breaking the fourth wall in theater where we're letting you know straight up that this is an illusion. People are attracted to that because they know it's the truth of who they are also. No one is who they think they are. That's why people are attracted to drag.
Acting is all about relating to the people on stage with you, even in plays that break the fourth wall. Clowning, for the most part, is the opposite. If somebody in the audience sneezes, I can count on it: I don't even have to look at Shiner; he'll have his handkerchief out. It's all about all of us in the room together.
You know, you look at Israel - Israel has a wall and everyone said do not build a wall, walls do not work - 99.9 percent of people trying to come across that wall cannot get across and more. Bibi Netanyahu told me the wall works.
You were talking to that niche in the wall again, Gwyneth. I saw you." "Yes, but it's my favorite bit of wall, Gordon. I'd hurt its feelings if I didn't stop and talk to it.
If you're doing stand-up, there is no fourth wall; you're engaging an audience.
We are not talking about isolation. We're talking about security. We're not talking about religion. We're talking about security. Our country is out of control. People are pouring across the southern border. I will build a wall. It will be a great wall. People will not come in unless they come in legally. Drugs will not pour through that wall.
I'm just not made for that kind of live audience where you don't create a fourth wall.
This site uses cookies to ensure you get the best experience. More info...
Got it!