A Quote by The Notorious B.I.G.

Naahhh... I don't like KRS no more 'cause he just think he's too dope. — © The Notorious B.I.G.
Naahhh... I don't like KRS no more 'cause he just think he's too dope.
They call it the rope-a-dope. Well, I'm the dope. Ali just laid on the rope and I, like a dope, kept punching until I got tired. But he was probably the most smart fighter I've ever gotten into the ring with.
Cause my life is dope, and I do dope sh*t
Nothing against Nicki Minaj - I think she's a dope lyricist, and her body is perfect, along with a dope personality. But I'm more into a woman who's not so much into the spotlight.
It's all about the family tree, there's a family tree. You know Melly Mel birthed KRS-One, KRS-One I think birthed Tupac.
I thank God for Hip Hop because Marvin Gaye didn't have that and he was able to be that dope. For us to have that and more, I feel like it is up to us to be as dope as we can possibly be.
This album is moments that I haven't done before, like just my voice and drums. What people call a rant - but put it next to just a drumbeat, and it cuts to the level of, like, Run-D.M.C. or KRS-One.
That's what I used to do; I would just go into the studio and just rap. But it's all about coming up with dope concepts and dope hooks.
I think the right way to do this is just to step up and do it, so I actually think we'll see more of that over the next coming weeks, because I think they'll say, "We'd like to be good for business and quiet on politics, but this is too urgent, it is too much of a key crisis in who we are going to become as Americans. We can risk too much, and so we have to step forward." And I think you will see more and more people stepping forward, like Howard Schultz, Steve Case and other folks, in order to try to make a difference in this [Donald Trump] election.
I'm not one of those artists who doubts that they made dope-ass records. From the first record to now, each record has gotten better. I started dope, so I've just gotten doper and doper and dopest and super dope.
Just saying, things ain't always bad just 'cause you don't understand 'em or ain't like 'em. That's like thinking anybody who's smarter or faster is dangerous just 'cause they got more brains or quicker feet. Ain't fair. Peeps can't help how they're born.
I'm trying to laugh uncontrollably with whoever I'm making a song with because whatever we just listened to that we just came up with is so dope. I'm chasing that feeling in the studio, not like a trend or what's hot on the radio at the moment. It just seems like the more I do that, the better I get at what I do. I'm going to keep doing that.
I don't think I'm alarmist. I'm more disappointed by the euphemisms in some instances than outright bigotry. Now, to me, you walk around with a Klan hat on or you've got a swastika on you arm, you just look like a dope, you know what I mean?
The streets helps you a lot in music, cause it let's you know that you can't trust nobody and that nobody's gonna wait for you. You can't just sit there with dope in your pocket and think that people are gonna come to you. You gotta put the product out there.
If I were to critique myself - step out of KRS objectively and look at him - I would say that KRS has introduced the concept of being hip-hop, not just doing it. The concept of rap as something we do, while hip-hop is something we live. The concept of living a culture. Don't just look at hip-hop as rap music, see it as a culture.
I think there's a difference between making a feel-good movie like 'Think Like a Man' and a feel-good show like 'Common Law.' It's not too heavy, it's not too serious. You just walk away with a smile on your face. I think that makes people somewhat more endearing to you.
I've always wanted to work with Klashnekoff. He's been around for years! He's sorta my age but he is dope. The flow, the lyrics, it's just dope music.
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