A Quote by The Notorious B.I.G.

I'm definitely a writer. I don't even know how to freestyle. — © The Notorious B.I.G.
I'm definitely a writer. I don't even know how to freestyle.
If you know how to freestyle, you will never have writer's block.
When I drop a freestyle, I'm like, 'This freestyle gotta go hard' or when I do something it's, 'How can we top this?'
I freestyle, but I'd rather sit down and write down my music to map out what I'm doing. But if I'm out with my friends, I will freestyle, you know?
You know, that's kind of the thing, I can't freestyle and I used to always wonder why I couldn't, and when I would try once out of every six months, but I was always a great writer!
I don't freestyle, but when I'm writing and thinking, sometimes things pop up - that's basically a freestyle.
When I started I only swam freestyle, and did just freestyle in my first Paralympics.
If you just freestyle, everybody is gonna go, 'Freestyle.'
When I was coming up, a freestyle wasn't a freestyle unless everything was completely improvised, in-the-moment and right there, and you had to incorporate various elements of what was going on in the room on the day.
It helps to know from a very early age what you want to do. From the time I was five years old, I wanted to be a writer, even though I couldn't even read. It was mainly because I thought of my father as a writer.
I don't even know if hip-hop is music anymore. It's definitely rhythm. It's definitely tempo. It's definitely beats per minute. But it's product. And television is product placement for the most part. It's not passion.
They even let me do the ads for the album. I definitely want it all to be presented right, but I don't want to be selling. I mean, people do deluxe editions, and I don't even really know how I feel about those yet.
I will say, I can definitely throw down a sick beat once in a while and provide an amazing backup track for somebody who can really, actually freestyle.
As a rapper, I don't freestyle. I used to freestyle when I used to get drunk, and it didn't matter.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
As an actor, I know immediately if I'm saying a word that doesn't feel right coming out of my mouth, and I know how to change it. But as a director watching something, or even as a writer reading a script, sometimes it's not always clear what needs to be fixed.
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
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