Being born and raised here in L.A. is very personal for me. I feel like able to have that upbringing and background, being able to be raised here, when I go all across the world it's like a demeanor that you carry yourself with. It's a swag you have.
Growing up in Oklahoma the way I did, and being raised the way I was raised by my parents, gave me such a strong foundation to go out into the world and fly, so to speak, the way I was able to do.
You need to keep something for yourself. As a writer, I feel that even more strongly. I feel like I need to be able to freely observe the world. That's the way I like to move through the world; I don't need to be the focus of attention. If I am, it impairs my ability to write and to do what I do.
Drag Race' was, like, my outlet and finally being able to see myself in television and that was through Manila Luzon, who was a 'Drag Race' contestant. Manila was the first Asian queer person that I ever saw on mainstream media and 'Drag Race' really did that for me.
Religion is a way to make order from chaos, and I think economics is not dissimilar. In religion and in economics, you're trying to figure out the way we perceive the world and move through it, and that's what I like to learn.
I write and sing about whatever I am able to understand and feel. I feel that it is healthier to look out at the world through a window than through a mirror. Otherwise, all you see is yourself and whatever is behind you.
I feel like if I've written a song about something I haven't experienced, I wouldn't be able to perform it properly, and people would be able to see that. People can see right through that.
Build bridges of insight through empathy, see the world through the eyes of others, understand the world through their experiences, and feel the world through their emotions.
I talk about race a lot. It's been my work ever since I came out of acting school. But it's true that in a way talking about race is a taboo. Because so many of our debates about race have to do not with race but with what we are willing to see, what we will not see and what we don't want to see.
It's the balance I'm trying to find - not being disconnected but giving myself some space to be in my world. I feel like I'm surrounded by friends of mine who are very different from one another but all care about similar things. We talk about this a lot, and I think that's probably the main thing - being surrounded by good people is the best way to stay in a solid head space. You want to be able to talk about these things, and be able to think things through and feel things through. That's helpful for me.
I wasn't raised with a specific religion. I wasn't raised to judge people in any way.
I wasn’t raised with a specific religion. I wasn’t raised to judge people in any way.
I think titles are tricky because they're like a really short ad for the book. And like an ad, they should open the door in a way that might be more accessible than the book itself. So I always like titles to be familiar. I'm not trying to break ground with the title itself. The title should feel like something already celebrated.
All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what's inside of all of us. If we X-rayed the insides of different human beings, we wouldn't be able to tell from those X-rays what the person's language or background or race is.
If we are going to have to worry all the time that we might offend some students' sensibilities, we are not going to be able to teach in a way that actually matters. We're not going to be able to teach about sex, gender, race, religion, or violence.
Religion is doing; a man does not merely think his religion or feel it, he 'lives' his religion as much as he is able, otherwise it is not religion but fantasy or philosophy.