A Quote by The Weeknd
The Joker that Christopher Nolan created in 'The Dark Knight' had the scar across his mouth, and the first time you heard his explanation for it, he makes you believe that's how he got it. But then you get into the film, and every time he talks about his scar, it's a totally different story.
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To be acceptable is for one to ignore his weakness while knowing his strength, to cover the scar even though it's always there, however, to be impossible is for one to see his weakness as, not an adversary, but the cherry on top of his strength, to rearrange the scar so that it compliments his features.
I have a lot of scars, man. My mother said that a man is not a man unless he has a scar on his face. And what she meant by a scar was some kind of battle that you had to go through, whether it was psychological or physical. To her, a scar was actually beautiful and not something that marred you.
Jem gave a reasonable description of Boo: Boo was about six-and-a-half feet tall, judging from his tracks; he dined on raw squirrels and any cats he could catch, that's why his hands were bloodstained - if you ate animal raw, you could never wash the blood off. There was a long jagged scar that ran across his face; what teeth he had were yellow and rotten; his eyes popped, and he drooled most of the time.
This is how sad my life is: I got a scar from scratching my chicken pox too much. That's my big scar story. I really have no major scars.
His brow is seamed with line and scar; His cheek is red and dark as wine; The fires as of a Northern star Beneath his cap of sable shine. His right hand, bared of leathern glove, Hangs open like an iron gin, You stoop to see his pulses move, To hear the blood sweep out and in. He looks some king, so solitary In earnest thought he seems to stand, As if across a lonely sea He gazed impatient of the land. Out of the noisy centuries The foolish and the fearful fade; Yet burn unquenched these warrior eyes, Time hath not dimmed, nor death dismayed.
A scar is never ugly. That is what the scar makers want us to think. A scar does not form on the dying. A scar means, I survived.
Like when you scrape your knee and you get a scar, but then the scar fades so much that no one can see it but you. But you know where it is. Cuz you remember what caused it. And no matter how hard you try, you can never forget how bad it hurt when it first happened.
Because I have the scar, people are like, "Who did you play in the film?," and I tell them, "The girl with the scar," and then they're like, "Oh, yeah!" I think most people expect me to have the scar.
It's depend of the communication, I think it's very important to let the director make his own vision of the character, not making a studio movie. Look the Dark Knight it's totally the vision of Nolan.
And then he pressed into her. First his thighs, then his middle, his chest, and finally his mouth. She made a whimpering sound, but its definition was unclear even to her, until she realized that her arms had gone around him instinctually, and that she was clutching his back, his shoulders, her hands restless and greedy for the feel of him. He kissed her openmouthed, using his tongue, and when she kissed back, she felt the hum that vibrated deep inside his chest. It was the kind of hungry sound she hadn’t heard in a long time. Masculine and carnal, it thrilled and aroused her.
From every wound there is a scar, and every scar tells a story. A story that says, "I survived."
People think first love is sweet, and never sweeter than when that first bond snaps. You've heard a thousand pop and country songs that prove the point; some fool got his heart broke. Yet that first broken heart is always the most painful, the slowest to mend, and leaves the most visible scar. What's so sweet about that?
I was a screenwriting major at Georgetown, and I was in class with some really strong writers like Jonathan Nolan, who co-wrote 'The Dark Knight' with Chris, his brother. He wrote 'The Prestige,' the story for 'Memento.'
A movie that makes me cry every time is 'Billy Elliot.' That scene where he's dancing in the hall, and his dad walks in. And the first time his dad can see how amazing he is dancing, but he's so conflicted with kind of his own feelings towards it. Oh, it's so emotional.
All night I streched my arms across him, rivers of blood, the dark woods, singing with all my skin and bone ''Please keep him safe. Let him lay his head on my chest and we will be like sailors, swimming in the sound of it, dashed to pieces.'' Makes a cathedral, him pressing against me, his lips at my neck, and yes, I do believe his mouth is heaven, his kisses falling over me like stars.
Ray Bradbury was not ahead of his time. He was perfectly of his time, and more than that: he created his time and left his mark on the time that followed.
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