A Quote by Thea Sharrock

I've got Tom Hiddleston playing Henry V. I don't want to have a bowl haircut. I want him looking good so, you know, I want him in delicious kind of tight fitting leather jackets. [] I don't want him in tights, so he got nice leather trousers in mine.
I’m not at peace anymore. I just want him like I used to in the old days. I want to be eating sandwiches with him. I want to be drinking with him in a bar. I’m tired and I don’t want anymore pain. I want Maurice. I want ordinary corrupt human love. Dear God, you know I want to want Your pain, but I don’t want it now. Take it away for a while and give it me another time.
I want Shogun because he's a legend of the sport. I respect him very much. He has good style and it matches with mine. I want to fight him in Brazil.
If a man's got talent and guts to buck society, he's obviously above average. You want to hold on to him. You straighten him out and turn him into a plus value. Why throw him away? Do that enough and all you've got left are the sheep.
I know that I'm very susceptible to getting caught up in storylines like, "I want him to be different. I want him to be more open. I want him to call." We have all of these storylines that kind of take over sometimes, and I think there's real grace and a peaceful heart at the center of just accepting what is, and knowing that everything's OK. The good, the bad, the ugly, the pain, the hurt, the frustration - all of that is valuable and part of this human experience, so we should lean in to all of it.
A lot of young artists and musicians that we work with, you think they're gonna want to come in and buy the rock star-looking leather jacket - whatever it is that you think they're gonna want. They all want a suit. They want a tuxedo jacket, they want a suit. They don't want to look like their dad in it, but they want a suit.
At least he's alive and well. I love him enough that I want that. I want him to have what's best for him." She sighed. "I just don't want to stick around to watch.
When you bowl at him you are not just trying to get him out, you are trying to impress him. "I want him to walk off thinking 'that Flintoff, he's all right isn't he?" I feel privileged to have played against him.
I'd always wanted to write a song about a leather jacket and how wearing it makes you feel. I love leather jackets, and I've got a big collection of them.
A good director is like a good coach. You want to play for him. You want to really show him your good stuff. You don't want to let that person down. Ridley Scott is one of those guys.
It's good when a manager names his goalkeeper and backs him. That's the sort of thing you want. You want to know you've got that backing and you're not one mistake away from getting dropped.
So many people want me to hate him and destroy him, but I don't want to. I want him to be happy. He's not a bad person.
I understand it when the fans are looking at me. The Beatles, and John in particular, are their musical idols. You can't touch John, but you want to know more about him, and you want to know from a person who was close to him.
I don't want to know about the constitution of the rapist--I want to kill him! I don't care if he is white or black, if he is middle-class or poor, if his mother hung him from the clothesline by his balls: I only want to kill him! Any woman who has been raped will agree.
I need to call Matt and let him know I'm okay," I said. Finn held the passenger door open while I got inside. As soon as he got in the driver's seat, I turned to him. "Well? Can I call him?" "You really want to?" Finn asked as he started the car. "Yes, of course I do! Why is that so suprising?
The way I've always seen it is, I don't want him to do bad. I want him to do good. But when I'm competing with somebody, I want my best to be better than his. That's just how I've been. I'm not wishing bad for anybody.
I love leather jackets, and I am obsessed with it. I carry leather jackets fairly well.
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