A Quote by Thea Sharrock

I much prefer to work with dead writers, and ones who were writing four hundred years ago. — © Thea Sharrock
I much prefer to work with dead writers, and ones who were writing four hundred years ago.
Raphael painted, Luther preached, Corneille wrote, and Milton sang; and through it all, for four hundred years, the dark captives wound to the sea amid the bleaching bones of the dead: for four hundred years the sharks followed the scurrying ships; for four hundred years America was strewn with the living and dying millions of a transplanted race; for four hundred years Ethiopia stretched forth her hands unto God.
Tradition does not mean a dead town; it does not mean that the living are dead but that the dead are alive. It means that it still matters what Penn did two hundred years ago or what Franklin did a hundred years ago; I never could feel in New York that it mattered what anybody did an hour ago.
Years ago, when I was writing westerns, other writers who were friends of mine wanted me to collaborate with them. And it just didn't work.
And what makes the whites who have these middle-class values have those values? Where did they get it? They didn't have these same values four hundred years, five hundred years ago.
It is equally pointless to weep because we won't be alive a hundred years from now as that we were not here a hundred years ago.
You're...writing for other writers to an extent-the dead writers whose work you admire, as well as the living writers you like to read.
Seventeen's not so young. A hundred years ago people got married when they were practically our age." "Yeah, that was before electricity and the Internet. A hundred years ago eighteen-year-old guys were out there fighting wars with bayonets and holding a man's life in their hands! They lived a lot of life by the time they were our age. What do kids our age know about love and life?
America's story is largely an immigrant story. That hasn't changed since the Pilgrims ate their first turkey some four hundred years ago, and they were the original boat people.
I don't think too much about the past when I am actually playing, I prefer to concentrate on the present. The performance of a piece, no matter how long ago or where it was written, is always a new production, something that comes alive in the present. And it doesn't matter if the piece was written two or three hundred years ago if it is alive in us.
Rome remained free for four hundred years and Sparta eight hundred, although their citizens were armed all that time; but many other states that have been disarmed have lost their liberties in less than forty years.
We are living in a state of constant scientific revolution. There is not a single area that you can name that is now seen as it was seen a hundred years ago. Nothing is left of the world view of one hundred years ago.
I mean, honestly, we have to be clear that the life for many Afghan women is not that much different than it was a hundred years ago, 200 years ago. The country has lived with so much violence and conflict that many people, men and women, just want it to be over.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
The World Coming Down tour was around four years ago, and other than the wear and tear we've all sustained in the last four years, nothing much has changed.
Are you more likely to tolerate drivel than you were four years ago? I think the answer is yes. Four years of Reagan has deadenedthe senses against a barrage of uninterrupted nonsense.
I've been rapping and writing since junior high school, just having fun with it as a hobby. Then I got signed to a label Poe Boy Entertainment four years ago, I started taking it serious about a year and a half, two years ago.
This site uses cookies to ensure you get the best experience. More info...
Got it!