A Quote by Thelma Schoonmaker
Jack Cardiff - the greatest cameraman who ever worked in colour - was a lab boy to start with so he knew Technicolor from the inside out.
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I watched Cardiff when I was a young boy. I also watched Newport. If I wasn't playing games on Saturday, for Newport YMCA or Pill, I would jump on a train and get to watch Cardiff.
All work and no play makes jack. With enough jack, Jack needn't be a dull boy.
I worked at Dollywood when I was a kid. Then I worked at Opryland. I worked at a variety of theater things in Atlanta. I was also in a choir for two years where we did 'Annie' and 'Joseph and the Amazing Technicolor Dreamcoat.'
The very first film I ever saw was a pirate movie called 'The Black Swan' with Tyrone Power. And I thought that was great stuff. Of course, in those days, Technicolor was really Technicolor; there was no such thing as desaturation. Everybody looked super suntanned.
If you knew my wife, you'd be like, 'Yeah, you're very married.' She runs the household. I refer to her as 'the greatest director I've ever worked with.'
If you knew my wife, you'd be like, "Yeah, you're very married." She runs the household. I refer to her as "the greatest director I've ever worked with."
The frailty of everything revealed at last. Old and troubling issues resolved into nothingness and night. The last instance of a thing takes the class with it. Turns out the light and is gone. Look around you. Ever is a long time. But the boy knew what he knew. That ever is no time at all.
In Cardiff, I've heard a number of accent mixes that weren't previously heard before such as Cardiff-Arabic and Cardiff-Hindi. This pattern is repeating itself in many urban communities across the U.K.; people are especially keen to develop a strong sense of local identity.
Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
You're sad-looking," she said. "My grandson used to be such a happy boy. He used to write me stories. I remember the first story he ever wrote me, 'Once upon a time, there was a boy.' And that became 'Once upon a time there was a boy who wanted to fly.' And they kept getting better and better over time. I never found out if the boy got to fly." I gave her a small smile. If only she knew the boy's wings had been clipped.
The sky is no longer out there, but it is right on the edge of the space you are in. The sense of colour is generated inside you. If you then go outside you will see a different coloured sky. You colour the sky.
I see myself as a different sort of Welsh. Because we are from Cardiff, we see Wales as Cardiff. This is Wales; outside Cardiff is beyond. It's a strange one. You are really Welsh, but you're not, if you know what I mean.
Ever since I could form coherent thoughts, I knew I was a girl trapped inside a boy's body. There was never any confusion in my mind. The confusing part was why no one else could see what was wrong.
Jack Nicklaus is the greatest winner I've ever seen.
I don't think I've ever worked so hard on something, but working on Macintosh was the neatest experience of my life. Almost everyone who worked on it will say that. None of us wanted to release it at the end. It was as though we knew that once it was out of our hands, it wouldn't be ours anymore.
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