A Quote by Thelma Schoonmaker

The studio was very nervous about 'Raging Bull.' — © Thelma Schoonmaker
The studio was very nervous about 'Raging Bull.'
I was a pretentious teenager, so of course I had, you know, 'Raging Bull' posters and all of that. 'Raging Bull' is not a pretentious movie, but me having the poster was a pretentious action. I even grew a goatee and had a Knicks cap, because I thought I wanted to be like Spike Lee.
'Raging Bull' was staggering to work on. I was well aware of how lucky I was to be in this extraordinary situation. That film is very unique. It stands on its own. It's just burned into the screen.
I grew up watching 'Raging Bull.
The world knows me as the Raging Bull.
I grew up watching 'Raging Bull.'
'Raging Bull' was badly received at first. It took 10 years for it to be recognised.
I was watching an interview with Martin Scorcese concerning Raging Bull, which is one of my favorite films, and he was talking about how he'd worked with a lot of guys who weren't quote-unquote "actors," like Joe Pesce and Frank Vincent. Scorcese was very smart in the way that he cast, because you don't know where you're going to find the right person who can carry a role and summon that emotion you're looking for.
In fighting a bull you're always aware of a paradox concerning your perceptions of the bull. On the one hand it's your perceptions of the bull that give you the upper hand. You read the bull, you learn to read the bull more and more accurately, and this reading of the bull is how you deploy your intelligence against the bull's intelligence. Your accuracy in reading the bull is a weapon, maybe your most important weapon, against all the bull's weapons. On the other hand, you're human, you have the human tendency to read into the bull things which may not actually be there.
I'm a child of that, the 'Bonnie and Clyde' to 'Raging Bull' period, you know. Those are the films that heightened my interest in acting and movies and everything.
I watched 'Rocky' and 'Raging Bull' and 'Taxi Driver' over and over again. They spoke to you, man.
If a film is a real knockout like 'Raging Bull,' it does not matter that it might not have happened like that.
In certain fight scenes in 'Raging Bull' - for example, the shorter ones - I literally just took the head and tail of the shot and put it together, and it all worked beautifully.
Of course, De Niro has had a long history of memorable performances. Everyone knows 'Taxi Driver' and 'Raging Bull,' but 'Awakenings' really did something for me.
I was very nervous about the accent. I was very nervous about being an American.
And I also am very nervous about implants. You know, I'm just nervous about all that. So I could still do it. I could think about it. But I needed to adapt to myself.
I was very nervous about going up to teach at Stanford and very nervous even about going to ARPA.
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