A Quote by Thelma Schoonmaker

'Silence,' I think, was the hardest, because it's so different from everything we've done before and required very delicate handling and trying to find the right meditative pace.
I'm never satisfied. I don't think about what has come before because I'm trying to find something different than I did before.
There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt.
I wasn't trying to fit into a thing... it was not like I was like, 'Right, I'm the Han; I'm the Leia; I'm the Luke.' I was just like, 'Okay, I'm Rey, just trying to do me, just trying to do this scene, trying to do the right thing,' and I think that was a huge advantage because I think if not, it would've been a very different thing.
Everyday on the bike is a different day. Just when you think your on top, you find yourself towards the back of the pack. It is probably the hardest sport I ever done it continues to be challenging and different.
I think raise doubts that's what Russians are doing around the world. I think they're trying to do that. I think they're trying to cause everything to be in question. We see them playing in a lot of different elections and trying to do that, because that's all they've got.
I never set out to work on the concept of androgyny. For me, it was more about trying to find a wardrobe that would fundamentally appeal to both men and women: Trying to find the right shirt, the right jeans, the right trouser - but on different landscapes.
I've been exploring a lot of different avenues with a number of very different and very, very exciting filmmakers and writers. That's been the trip. I like to find something very, very different from the last thing I did, which might be similar to something I've done before, but as long as it's different from the last thing I did, it keeps me entertained.
Long ago, when I was a very young girl, I said that I wanted to go everywhere, see everything, taste everything. hear everything, touch everything, try everything before I died. There isn't anything you can name that a woman can do that I haven't done. I don't intend to stand by and be a spectator. I want to be right in there in the midst of it, right up to my nose - totally involved in the community, in the world, in the stream of history, in the human image.
If we can find a principle to guide us in the handling of the child between nine and eighteen months, we can see that we need to allow enough opportunity for handling and investigation of objects to further intellectual development and just enough restriction required for family harmony and for the safety of the child.
I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.
Today it may seem that your anger is very strong, how can meditation break it? But it breaks - it has always broken. Rock is very strong and meditation is very delicate, but this is the mystery of life - the continuity of the delicate can break the strongest and the hardest.
I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.
I've always felt that poetry is the enemy of silence, but of course, in the right moments, silence can be useful. The trick is just trying to figure out when. And when I say silence, I suppose I actually meant erasure - poetry is a force against that, I think, or it should be.
Usually I'm trying to get away from my discography. I don't think I could tear down everything I've done, the structures I've created - you know, like what Miles Davis did eight times in a row, which was destroy every kind of crutch or system he had for making music. That's very, very difficult. When I reflect on my catalog, I'm very proud of it, and I love it, but what I want to do now is completely different. When I don't do something different, I feel like I'm cheating - consciously or unconsciously stealing from myself.
So, it's a delicate thing, but at the same time our producers and writers are very much aware of the potential downfall that could ensue so I think they're going to be very careful about how they do that. At the same time I don't think they want to leave the characters in the same holding pattern that they've been in for a while. I think that they're all trying to put the characters in a different situation.
Tender inner weaknesses, revolting at mild touches of censure, are like diseased parts of the body, recoiling before even delicate handling.
This site uses cookies to ensure you get the best experience. More info...
Got it!