A Quote by Thelma Schoonmaker

I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker.
Martin Scorsese was being given an honorary doctorate, and one of the tutors asked if there was a student film he particularly liked. He mentioned our film. There was a dinner after the final show just for the tutors, but I was smuggled in to meet Scorsese over dessert.
If I hadn't met Scorsese, I would never have become a filmmaker. He has taught me everything I know about editing and has given me the best job in the world.
Martin Scorsese was one of the few who had not been an assistant. Most of the guys had been an assistant and worked their way up. But I had seen an underground picture he had made in New York, a black-and-white film. I had done a picture for American International, about a Southern woman bandit, the Ma Barker story, and it was very successful, and I had left to start my own company, and they wanted me to make another one.
I love Martin Scorsese, but there's another indication of what The Oscars are all about. They've ignored Martin Scorsese for going on 35 years now, and I wouldn't be surprised if they passed him over again. He'll get one of The Oscars they give you at the end of your life because they feel guilty for never giving you an Oscar.
Martin Scorsese was very much the actor's director. We were all very in awe of Martin Scorsese.
I am a filmmaker. That is all I've ever been. You know, Martin Scorsese makes films about the mob. And I make movies about food.
Our professor was Marty Scorsese. Marty was a graduate student, or Mr. Scorsese, which is what I had to call him, and still do when I see him 'cause he gave me a C.
I did 'Gangs of New York' with Martin Scorsese, and they used to call me 'Little Joe Pesci' on the set.
I got really into Martin Scorsese as a teenager, so then it was kind of the whole reason I wanted to be an actor. Just like tons of young actors, I think, get freaked out by the Scorsese/DeNiro movies. I loved all his movies in the '90s, too. Then I got a part in 'The Aviator' and couldn't believe it.
In Goodfellas they have this one scene where the camera goes down some steps and walks through a kitchen into a restaurant and the critics were all over this as evidence of the genius of Scorsese and Scorsese is a genius.
Looking back at 'Taxi Driver' or, really, any of the Martin Scorsese films, he really filmed New York City in a way that I saw New York City.
If you're an actor from New York, and you're Italian-American, you grow up hoping Marty Scorsese knows your name at some point before you die.
I said to Martin Scorsese, 'When are you going to make another film with a woman at the center?'
Griffin Dunne and I were both terrified that Martin Scorsese didn't think we were very good - and if he didn't think we were very good, that was it. That was the end of the line. If Martin Scorsese thinks you stink, you stink.
Producing, for me anyway, it's coming up with material. It's sitting down with you know the likes of Martin Scorsese, Johnny Depp, Michael Mann and talking about a movie and really creating something from nothing.
I think the obvious answer is I was raised in New York City, so growing up, not only myself but my family, like my father, we would watch a lot of Scorsese films.
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