A Quote by Thelonious Monk
The inside of the tune [the bridge] is the part that makes the outside sound good.
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My whammy system is set up so I can yank the bar up as well as do dive-bombs with it. This means that if I accidentally push down on the bridge with my palm, my strings go sharp and sound out of tune. I make sure this never happens by never resting my hand on the bridge when muting. I always do my muting just in front of the bridge.
So I went ahead and made me a guitar. Igot me a cigar box, I cut me a round hole in the middle of it, takeme a little piece of plank, nailed it onto that cigar box, and I gotme some screen wire and I made me a bridge back there and raised itup high enough that it would sound inside that little box, and got mea tune out of it. I kept my tune and I played from then on.
Golden bridge, silver bridge or diamond bridge; it doesn't matter! As long as the bridge takes you across the other side, it is a good bridge!
There are footballers who are very good playing on the outside but don't know what to do inside. Then there are players who are very good inside but don't have the physique, the legs, to go outside.
Mancini makes us feel good inside and outside of the field.
The outside of any building may now come inside and the inside go outside, each seems as part of the other. Continuity, plasticity, and all the new simplicity the imply have at last come home.
I know that I want to concentrate more on my inside-pretty than my outside-pretty, because thats gonna go away. But if your inside is beautiful, it never wears away. The light always shows on the outside if you are striving to be good inside.
The Auto-Tune makes everybody sound the same and takes away all of the emotion because you're singing through this machine, and of course your taking all of this emotion out of your voice for the most part.
How many understand that Nature is the essential character of whatever is. It's something you'll find by looking not at, but in, always in. It's always inside the thing, and it makes the outside. And some day, when you get sufficiently proficient in understanding the use of the term, you can tell by the outside pretty much from what's inside.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
The guitar, by its very nature, the nature of its sound, by the soft nuance of its powerful and ancient voice, by the magic of the tone, goes directly to the part of oneself where love is felt. When I hear the sound of the guitar, it goes to some part inside of me that opens the door that holds feelings of love and everything that is beautiful which lives inside of me.
When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.
Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.
Spare me therefore, your good intentions, your inner sensitivities, your unarticulated and unexpressed love. And spare me also these tedious psycho-historians which, by exposing the goodness inside the bad man, and the evil in the good-invariably establish a vulgar and perverse egalitarianism, as if the arrangement of what is outside and what inside makes no moral difference.
Bridge is nowhere; over the bridge, you feel an emptiness inside you. Bridge is nowhere.
But the Beast was a good person...the Prince looked on the outside the way the Beast was on the inside. Sometimes people couldn't see the inside of the person unless they like the outside of a person. Because they hadn't learned to hear the music yet.
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