A Quote by Thelonious Monk

I compose my pieces with a formula that I created myself. — © Thelonious Monk
I compose my pieces with a formula that I created myself.
I don't consider myself a musician who has achieved perfection and can't develop any further. But I compose my pieces with a formula that I created myself. Take a musician like John Coltrane. He is a perfect musician, who can give expression to all the possibilities of his instrument. But he seems to have difficulty expressing original ideas on it. That is why he keeps looking for ideas in exotic places. At least I don't have that problem, because, like I say, I find my inspiration in myself.
What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.
We love Formula One and think Formula One's great. But we think Formula E is different. We would be making a big mistake if we tried to compete with Formula One and be similar to Formula One, we have to be radically different to Formula One to have a chance of survival. I don't mean survival by beating Formula One but co-existing complimentary to Formula One.
I like to compose, but only for myself. I write my own lyrics and compose the music around them.
I follow a simple formula when I compose. I ask myself, 'What would the audience want to hear?' and 'Why would they buy my CDs?' And the process of answering these questions through music follows. Sometimes, it works. Sometimes, it backfires.
I wait. I compose myself. My self is a thing I must now compose, as one composes a speech. What I must present is a made thing, not something born.
Java is like a variant of the game of Tetris in which none of the pieces can fill gaps created by the other pieces, so all you can do is pile them up endlessly.
This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me.
I became very aware of what I was used to relying on, almost tricks. It's funny because I could feel myself creating a formula and sticking with it and I just told myself, 'That's not me, that's not really how I am, god forbid I have developed a formula - it's music; songwriting.' It's heretic, honestly, in the church of music, so I had to unwind a few tricks in order to get past it.
I think a lot of brands reach a point where they say, 'We kind of have a formula - we've got it made.' Our formula is there's no formula.
From a prestige standpoint, the U.S. needs to host Formula 1. And I think Formula 1, they know they need the U.S. as well. So many companies that are global are based in the United States support Formula 1.
I know that a lot of people like to say "formula." I think that as soon as you start to have a formula imputed to your work, you're in danger of becoming formulaic. So the one formula I have as a rule is falling in love with the material.
I don't compose rap songs or party numbers. I only compose folk.
Madam, you ask me how I compose. I compose sitting down.
The trick is to compose what one wants to compose and to get it commissioned afterward.
I compose for very limited people in Bollywood, as I am not a playback artist. I compose my songs and sing them.
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