A Quote by Theo James

Sometimes the nature of a big movie, the nature of the material, the scene doesn't have the richness that you'd want it to. — © Theo James
Sometimes the nature of a big movie, the nature of the material, the scene doesn't have the richness that you'd want it to.
Art does not lie in copying nature.- Nature furnishes the material by means of which is to express a beauty still unexpressed in nature.-The artist beholds in nature more than she herself is conscious of.
We have to take care about nature as much as nature is taking care about us. Nature is very kind with us. And if you want to enjoy the gifts of nature and the promises of nature, we have to defer to nature and its needs, its rules, its norms.
After decades of faithful study, ecologists have begun to fathom hidden likenesses among many interwoven systems. ...a canon of nature's laws, strategies, and principles... Nature runs on sunlight. Nature uses only the energy it needs. Nature fits form to function. Nature recycles everything. Nature rewards cooperation. Nature banks on diversity. Nature demands local expertise. Nature curbs excesses from within. Nature taps the power of limits.
we are nature. We are nature seeing nature. We are nature with a concept of nature. Nature weeping. Nature speaking of nature to nature.
Nature's patterns sometimes reflect two intertwined features: fundamental physical laws and environmental influences. It's nature's version of nature versus nurture.
When you're watching a show like this or watching a movie, sometimes when you have big music in a scene, it tends to push the viewer out of the scene and makes someone feel like an audience member rather than like they're in the scene.
The intimate rapport with nature is one of the most precious things in life. Nature is indeed very close to us; sometimes closer than hands and feet, of which in truth she is but the extension. The emotional appeal of nature is tremendous, sometimes almost more than one can bear.
Our Nation, a great stage for the acting out of great thoughts, presents the classic confrontation between Locke's views of the state of nature and Rousseau's criticism of them... Nature is raw material, worthless without the mixture of human labor; yet nature is also the highest and most sacred thing. The same people who struggle to save the snail-darter bless the pill, worry about hunting deer and defend abortion. Reverence for nature, mastery of nature- whichever is convenient.
My botanical documents should contribute to restoring the link with nature. They should reawaken a sense of nature, point to its teeming richness of form, and prompt the viewer to observe for himself the surrounding plant world.
Imagination is a powerful agent for creating, as it were, a second nature out of the material supplied to it by actual nature.
Music is like nuclear plants. In a way, it's true! Music is totally artificial. Still using some material from nature, a piano is assembled with wood and iron. Nuclear power uses material from nature, but it's been manipulated by humans, and it produces something unnatural.
Western artists stand as humans looking at nature; Asian artists try to be in nature. You become one with nature rather than painting a portrait of it. That's a big shift.
Nature is not horrible. Nature is not wonderful. Nature is not cruel. Nature is not beautiful. Nature only is.
Sometimes nature guards her secrets with the unbreakable grip of physical law. Sometimes the true nature of reality beckons from just beyond the horizon.
Nature does not teach. A true philosophy may sometimes validate an experience of nature; an experience of nature cannot validate a philosophy. Nature will not verify any theological or metaphysical proposition (or not in the manner we are now considering); she will help to show what it means.
People mistakenly think that art is about nature, or about an artists feelings about nature. It is instead a path of enlightenment and pleasure, one of many paths, where nature and the artists feelings are merely raw material.
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