A Quote by Theo Paphitis

The high street is not a retail thing: it's a social thing, part of the British lifestyle. And I say that as someone who started his life on Limassol high street in Cyprus.
Number one in high school, when I was sort of entrenched in the street life, if you will, the major thing that kept me plugged in the mainstream was athletics. I played basketball throughout high school. I also played football, but I played basketball throughout high school.
While I appreciate what goes into making high-end Indian dishes, street food has a special place in my heart. Being raised in India, street food played an integral part in my life while growing up.
It's not my fault the high street is dying... It's very very simple, the Internet is killing the high street.
Every successful high street needs a catalyst that starts making people want to come there, and independent shops can be that catalyst. If you want a new idea on the high street, you'll probably find it in an independent. I know I shouldn't say this, but new ideas rarely happen in chains. What we do is adopt it once we spot it in an independent.
The wider public is clueless about the social breakdown in high-crime areas and its effect on street life.
We started a new movement called street soccer, so I was already breathing and living the style. Since street soccer is not a game but a lifestyle, it required a matching wardrobe.
There's one thing I would like to do on the high street, and that's something different to what's been done before. So, who knows what that could be.
I saw this vision with a beautiful plastic bag in Kensington High Street, ... and then you didn't see the face because he had this blond thing [indicating a sweeping fringe across his face] that was, you know, too much!
I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
Sesame Street... I think they were all high. With Big Bird, they had to be high.
People were stopping me on the street to say, 'Oh my God, it's Crazy Eyes!' Which is kind of a funny thing to have people shout at you on the street.
I'll see something awful on the street and I'll come home and say to my boyfriend, "I just saw the funniest thing on the street." It's a stance. It's the way I was born, or the way I was damaged.
Los Angeles is Hollywood and Hollywood is Hollywood Blvd. It's the first thing you want to see. It's the only thing really that you know about as far as Los Angeles is concerned. And so you go and you look at Joan Crawford's hands and feet and the whole history of American filmmaking is encapsulated in that one little area on that one street. That street, to me, has always been the street of dream.
When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.
They [the Reagan Administration] want to put street criminals in jail to make life safer for the business criminals. They're against street crime, providing that street isn't Wall Street.
I have often walked down this street before but the pavement never held my star before... all at once I'm three stories high, knowing I'm on the street where it lives.
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