A Quote by Theo Rossi

Kurt [Sutter] is one of the few showrunners that actually sits down and talks to the actor alone, and then with all of the other writers, and basically tells you what he has in mind and what's going to go down.
I think Kurt Sutter's different as a creator for different people. My experience of Kurt Sutter has always been a really professional, lovely one. I like Kurt Sutter very much.
You look at who's actually created shows for FX that have succeeded, and there are a lot of first-time showrunners - Ryan Murphy, Denis Leary, Louis C.K., the 'It's Always Sunny' creators, Kurt Sutter, Joe Weisberg, Pamela Adlon, Donald Glover.
Be flexible. Don't be afraid to change your mind. If you're wrong, change your mind. If you go down the wrong path, and you're down 10-12%, it's better to sell down 15% versus 50%. If you have an idea that something is going to happen, you're predicting the future, and it's OK to be wrong. Where you can go wrong is by making a prediction that doesn't come true, and then sticking with it.
I don't ascribe to the idea of the ivory tower composer who sits alone in a room composing his masterpieces and then comes down from Mount Sinai with the tablets. It doesn't work like that. The job of a composer is putting something down on a piece of paper that will inspire the person who's playing.
If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.
When you're down, when you've been kicked down in the street and then kicked a few more times until you're bleeding and your teeth are out, then you only have up to go. You get reborn again, and expectations aren't so great because they've taken you away. It's beautiful to be down there. It's so beautiful!
When you start writing, you have your characters on a metaphorical paved road, and as they go down it, all these other roads become available that they can go down. And a lot of writers have roadblocks in front of those roads: they won’t allow their characters to go down those roads... I’ve never put any roadblocks on any of these paths. My characters can go wherever they would naturally go, and I’ll follow them.
I had a girls' writing retreat at my condo and a bunch of other female writers came down. Me and two other writers got there before everyone and they pitched this idea to me. At first I wasn't sure what direction it was going in, but then once they kind of explained to me what they were thinking, we wrote it.
Settle down, it'll all be clear Don't pay no mind to the demons They fill you with fear The trouble it might drag you down If you get lost, you can always be found Just know you're not alone Cause I'm going to make this place your home
Where refugees seek deliverance that never comesAnd the heart consumes itself as if it would live,Where children age before their timeAnd life wears down the edges of the mind,Where the old man sits with mind grown cold,While bones and sinew, blood and cell, go slowly down to death,Where fear companions each day's life,And Perfect Love seems long delayed.CHRISTMAS IS WAITING TO BE BORN:In you, in me, in all mankind.
Typically on a TV series, the writers on a show are writing for their life almost every episode. When someone sits down to write a Netflix show, they know there's going to be a 13th hour.
Supernatural hasn't spent a lot of time on relationship stories, and this is a really nice mechanism to do that without imposing that on the forward momentum of these other stories that we're telling. In the writers' room we tend to say, "We're never going to be able to give a hell or Purgatory as good as people's imaginations," so the instinct is normally not to go there. But, we went the other way this year and said, "We are going to go there," because there's a really, really strong character thing going on down there.
If tomorrow the good Lord decides that's my last day, then I'm not going to go down with a frown. I'm going down with a smile on my face, knowing that I've gotten everything out of life.
Basically, we've grown up very focused on the institution. The institution tells me what to do. It tells me where to go. It tells me what my career path is, and then I, sort of, attach my own personal desires, my own personal interests. I think we're living in a time where we're going to have to change - to put people in the center.
When I first met with Kurt [Sutter], it was one of those moments where you feel everything is happening for a reason.
It's a safe bet that someone who tells you you need to calm down has never actually seen you when you needed to calm down.
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