A Quote by Theo Rossi
Basically, the way you get into any role is just doing research on the type of character you're playing.
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I wasn't a huge fan of the comic book, but I definitely was of the cartoon series. I wasn't much for sitting around and reading as a kid, I preferred to be outside running around and playing sports, but I was absolutely thrilled to get the role of Colossus. I don't think I realised how popular the character was until I got the role and started doing some research; it was then that I really fell in love with the character of Colossus myself.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
I research the role, and if it's a literary character, I read the book, and if it's an historical figure, I research documents and biographies. If it's a fictional character, I work off the script.
Whenever I play a role, whether it's good or bad, an evil person or nice person, I believe in being a purist and going all the way with the role. If I'm going to be a villainous wrestler, I believe in going all the way with it and not breaking character and not giving away to the audience that I'm playing a role. I believe in playing it straight to the hilt.
I just didn't want to get bored playing a character, and that's kind of the benefit of doing films; you've lived with a character for four or five months and that's it, and you walk away from that character and you feel like you told a story.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
The way I evolved was playing straight-ahead jazz into playing more fusion-type stuff just because I was young enough to get into it. As I get older, I find myself coming back to where I kind of started.
I don't know how many 19 year-olds are playing in the Championship, there's certainly not any playing in the Premiership. It depends on what type of character you are really.
I feel that a lot of roles in television can really typecast someone as one type of actor or playing one type of role, but I really don't think that my role in 'Weeds' did at all.
It would be really cool to have some more roles where it doesn't matter how a character looks. You get a script, you see it, and it doesn't matter: there's no description of how the character looks in any way shape or form; it's just, whoever is right for the role is the person.
I like as much time as I can get and I'll do whatever I think is helpful to prepare for a role. Sometimes it's practical research, meaning if I had to write shorthand, I'd learn how to write shorthand. Or if I have to know how to dance a certain way, I would learn that. And then there's just research of talking to people similar to the characters I'm playing. And there's stuff that I just feel is inspiring, whether it be music or a painting or a photograph. I've used a lot of Nan Goldin's photos in the past to inspire me. I use certain paintings and pieces of music.
Any sort of role requires a certain amount of research and embodiment of the character and psychological investigation.
My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.
LSD is no longer playing a bad role in the drug scene and psychiatrists are again trying to submit their proposals for research with this substance to the health authorities. I hope that LSD will again become available in the normal way, for the medical profession. Then it could play the role it really should, a beneficial role.
What's interesting about playing Maura is that I get to use more of Jeffrey that I've ever used in any role, and I think that's the remarkable part about it and truly the most surprising part about doing this role.
I think there's always a way to bring something, even if it is just the girlfriend role, as long as you're playing it with an idea of who that person is on their own, away from the male character.
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