A Quote by Theo van Doesburg
While the expressive possibilities of Neoplasticism are limited to two dimensions (the plane), Elementarism realizes the possibility of plasticism in four dimensions, in the field of time-space.
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You are a victim of your own neural architecture which doesn't permit you to imagine anything outside of three dimensions. Even two dimensions. People know they can't visualise four or five dimensions, but they think they can close their eyes and see two dimensions. But they can't.
The theory has to be interpreted that extra dimensions beyond the ordinary four dimensions the three spatial dimensions plus time are sufficiently small that they haven't been observed yet.
Time is said to have only one dimension, and space to have three dimensions. ... The mathematical quaternion partakes of both these elements; in technical language it may be said to be 'time plus space', or 'space plus time': and in this sense it has, or at least involves a reference to, four dimensions. And how the One of Time, of Space the Three, Might in the Chain of Symbols girdled be.
It is a sad hardship and slavery to people who live in towns, that in their movements they know of one dimension only; they walk along the line as if they were led on a string. The transition from the line to the plane into the two dimensions, when you wander across a field or through a wood, is a splendid liberation to the slaves, like the French Revolution. But in the air you are taken into the full freedom of the three dimensions; after long ages of exile and dreams the homesick heart throws itself into the arms of space.
You are a multidimensiona l being because your human body houses your spirit body, and your spirit body is not limited by dimensions of time, space, or form. As you grow spiritually, you become more perceptive of these other dimensions.
Even in relativity theory even though you can analyze space - time in terms of this four-dimensional geometrical structure one of the dimensions is different. And this shows up in the equations. It has a different sign - rather than plus it shows up as a negative minus. So even in relativity theory time is distinct from space in terms of the way in which these dimensions manifest themselves in the equations.
It's not completely obvious what gravity is, fundamentally, or what dimensions are, fundamentally. One of these days we'll understand better what we mean, what is the fundamental thing that's given us space in the first place and dimensions of space in particular.
You had been a paper boy to me all these years - two dimensions as a character on the page and two different, but still flat, dimensions as a person. But that night you turned out to be real.
The problem with filming something is that we struggle desperately to make three dimensions out of two dimensions. It can't be done.
Do you think it's possible that things that seem to be discrete in three dimensions might all be part of the same bigger object in four dimensions? ...What if humanity- that collective noun we so often employ- really is, at a higher level, a singular noun? What it what we perceive in three dimensions as seven billion individual human beings are really all just aspects of one giant being?
Your understanding of the astral dimensions can help you alter structures in the physical dimensions. It is in and through the medium of the astral dimensions that all of the siddha powers function and work.
For the wise man looks into space and he knows there is no limited dimensions.
If you have the power to see things through somebody else's eyes, it's like going from black and white to color or two dimensions to three dimensions.
Because there is something psychologically wrong with you on some level if you want to be on TV, if the only way you can fulfill yourself is by literally going from three dimensions to two dimensions.
Beyond the astral dimensions are the causal dimensions. They are not spatial or time oriented. They are planes of light, and they make up the outer limits of nirvana.
The magic possibility of framing a certain space and time is what brought me to photography. This process of recording elements of 3 dimensions in the flow of time, and fixing them in a 2 dimensional image, creates a new context for the elements of the photograph.
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