A Quote by Theo Von

I could have been a dancer. I just never got my shot at it. — © Theo Von
I could have been a dancer. I just never got my shot at it.
I had been a ballet dancer and never could make a living, and just being so excited that I got to, all of a sudden, live as an actor.
If I had an extra 20 or 50 years physically, I could have been the dancer of my dreams. But I never became that dancer.
I wanted to be a ballet dancer. I was bad - I'm not very coordinated. But I always wished I could have been a dancer.
I set as my goal to be the best dancer I could be. Not the most famous, or the highest paid dancer, just the best I could be. Out of this discipline came great freedom and calm.
It's been a part of my game for life. It's tougher to finish in the lane so you've got to find different areas to score efficiently and the mid-range contested shot is a shot a lot of teams will live with. And it's a shot I'm willing to live with as well just because I've gotten so many shots at it and I'm comfortable with it.
When I got shot I wasn't like 'yes' I got shot, now I can say that in my raps, when I got shot I said 'ouch'.
I got jumped into a gang, but I never shot anybody or anything. I might have been in the car when something happened, but I was involved in the gangs just for the drugs. After a while, I just became an outcast of the gang because I just liked the drugs. I just wanted to do more drugs, anything you put in my hand.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
Young dancers are training at a very vulnerable time in their lives, through adolescence, and while they are trying to work out who they are as people, never mind as a dancer. So train the whole person, not just the dancer.
The only equivalent plunge from genius I could think of was Ernest Hemmingway's tragic loss of ability to write. Hemmingway got up one morning and shot himself. Nicklaus got up the next morning and shot 66.
The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.
By the time I got to 'St Vincent,' I had shot so many scenarios I was ready for anything - I've shot kangaroos, I've shot dogs, cats, crowds, fight scenes, stunts, comedy, drama, handheld, dolly, helicopter, crane - I just felt that there was nothing I was unprepared for.
I flew in combat in Vietnam. I got shot at, I shot back, I got shot down. Compared to this flight, I felt a lot safer in combat.
He's a great shot-blocker. So once you go in there, you've got to either get into his body and get an and-one, or you've got to drive and kick. It's not all about trying to force the shot over a shot-blocker like Nerlens Noel. You've got to kick it.
All I knew about shot putting was that my [older] brother could do 44 feet. I decided I wanted to beat him. . . . So I got a shot and went to work and made up my mind to do 45 feet.
People misconstrue when I say I was a dancer. I was not classically trained. I was a street dancer, and I got to do what I did in the nightclubs of New York City.
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