A Quote by Theodor Adorno
Everything about art has become problematic; its inner life, its relation to society, even its right to exist.
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Art is a criticism of society and life, and I believe that if life became perfect, art would be meaningless and cease to exist.
What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, or to life. That art is something which is specialized or which is done by experts who are artists. But couldn't everyone's life become a work of art? Why should the lamp or the house be an art object, but not our life?
The short story is the art form that deals with the individual when there is no longer a society to absorb him, and when he is compelled to exist, as it were, by his own inner light.
I believe it to be of particular importance that the scientist have an articulate and adequate social philosophy, even more important than the average man should have a philosophy. For there are certain aspects of the relation between science and society that the scientist can appreciate better than anyone else, and if he does not insist on this significance no one else will, with the result that the relation of science to society will become warped, to the detriment of everybody.
Art in relation to life is nothing more than a glove turned inside out. It seems to have the same shapes and contours, but it can never be used for the same purpose. Art teaches nothing about life, just as life teaches us nothing about art.
Being an actor is a matter of choice that, above all, takes place at an existential level: either you express the conservative structures of society and are nothing more that a tool in the hands of power, or you address the progressive components of this society in an attempt to settle a revolutionary relation between art and life.
What is the good life? What is the good man? The good woman? What is the good society and what is my relation to it? What are my obligations to society? What is best for my children? What is justice? Truth? Virtue? What is my relation to nature, to death, to aging, to pain, to illness? How can I live a zestful, enjoyable, meaningful life? What is my responsibility to my brothers? Who are my brothers? What shall I be loyal to? What must I be ready to die for?
Spiritually, the society we have is the society of men with women present only in adjunctive relation to them, not the society of men and women in reciprocal relation. We do not have the society of human beings.
Before we can change anything in our life, we have to recognize that this is the way it is meant to be right now. For me, acceptance has become what I call the long sigh of the soul. It's the closed eyes in prayer, perhaps even the quiet tears. It's "all right," as in "All right, You lead, I'll follow." And it's "all right" as in "Everything is going to turn out all right." This is simply part of the journey.
To assume that one's existential task is completed when the individual is brought into right relation with society, that is, when the individual has been socialized, is to absolutize society and confuse society with God.
My writing, I am prepared to think, may be a substitute for something I have been born without - a so-called normal relation to society. My books are my relation to society.
The more settled I've become, the more problematic my characters have become. There was a period when I wrote sensitive and gentle songs and these came at a time when life was at its most destructive. I think you write about what you need, on some level.
Everything in life is drawing, if you want. Drawing is quintessential to knowing the self. Art that survives from one generation to the next is the art that actually carries something that tells society about self.
Very early in my life I took the question of the relation of art to truth seriously: even now I stand in holy dread in the face of this discordance. My first book was devoted to it. The Birth of Tragedy believes in art on the background of another belief
But you begin to feel as you go on working that unless painting proves its right to exist by being critical and self-judging, it has no reason to exist at all - or is not even possible. The canvas is a court where the artist is prosecutor, defendant, jury and judge. Art without a trial disappears at a glance.
What the woman who labors wants is the right to live, not simply exist — the right to life as the rich woman has the right to life, and the sun and music and art. You have nothing that the humblest worker has not a right to have also. The worker must have bread, but she must have roses, too. Help, you women of privilege, give her the ballot to fight with.
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