A Quote by Theodor Adorno

In the end indignation over kitsch is anger at tis shameless revelling in the joy of imitation. — © Theodor Adorno
In the end indignation over kitsch is anger at tis shameless revelling in the joy of imitation.
The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. And since it is radical evil that is manifest here, evil per se, forming the absolute negative pole of every value-system, kitsch will always be evil, not just kitsch in art, but kitsch in every value-system that is not an imitation system.
The power of works of art still continues to be secretly nourished by imitation... kitsch
There is nothing wrong with anger. Anger is a beautiful emotion, as valid and rich as joy or laughter. But you have been taught to repress your anger. Your anger has been condemned. If anger is unexpressed, it will slowly poison you. The key is to know how to express your anger. Do not throw it out onto any one. No one is responsible for your anger. Simply express your anger. Beat up a cushion. Go for a run. Express your anger to a tree. Dance your anger. Enjoy it.
The peasant finds no "natural" urgency within himself that will drive him toward Picasso in spite of all difficulties. In the end the peasant will go back to kitsch when he feels like looking at pictures, for he can enjoy kitsch without effort
When a man is overcome by anger, he has a poisoned fever. He loses his strength, he loses his power over himself and over others. He throws away time in which he might have gained the end he desires. The is no time for anger in the world. - The Ancient One
When imitation goes over big, it isn't imitation, it is a trend.
I love 'Shameless' as a fan. But I love lots of television. And as an ensemble, I have never seen a group of people put on screen what 'Shameless' - the 'Shameless' cast as an ensemble and as individuals - in decades.
These movements aren't about anger. We're not angrily saying 'Black Lives Matter.' We're declaring it. It's a declaration. We want to be seen as robust, full human beings that have anger and have joy. We want to be able to just freely have that joy. Like everybody else does.
Tis light translateth night; 'tis inspiration Expounds experience; 'tis the west explains The east; 'tis time unfolds Eternity.
And what you do is you go into where your anger is, if you're writing anger, you go into where your hatred is, if you're writing hatred. Your joy is, if you're writing joy. You find the source of the energy that draws hatred, anger, joy, etc., etc., etc. That's what you have to find. That's what you do as an actor and that's what you do as a writer. And you bring people to the page.
The techniques of kitsch, which are based on imitation, are rational and operate according to formulas; the remain rational even when their result has a highly irrational, even crazy, quality.
Misery, anger, indignation, discomfort-those conditions produce literature. Contentment-never. So there you are.
Joy, in Nature's wide dominion, Mightiest cause of all is found; And 'tis joy that moves the pinion When the wheel of time goes round.
Before we are forgotten, we will be turned into kitsch. Kitsch is the stopover between being and oblivion.
Anger kills both laughter and joy; What greater foe is there than anger?
The essence of kitsch is the confusion of ethical and esthetic categories; kitsch wants to produce not the "good" but the "beautiful."
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