A Quote by Theodor W. Adorno

History does not merely touch on language, but takes place in it. — © Theodor W. Adorno
History does not merely touch on language, but takes place in it.
Theological reflection takes place within history, but the history within which it takes place is an ongoing, open-ended process.
Raaz 3' has a human touch and in fact, horror comes in third place. The first is human touch, while music takes the second place.
The child, merely by going on with his life, learns to speak the language belonging to his race. It is like a mental chemistry that takes place in the child.
The language of my love does not belong to human language, my human body does not touch the flesh of my love.
Meek's Cutoff by Kelly Reichardt. It's beautifully shot. It's a complex story. The filmmaker gave a very patient and feminine touch to a story that takes place during a period of history that's very masculine, without losing any of the unforgiving harshness of the reality where the characters found themselves in.
'Meek's Cutoff' by Kelly Reichardt - it's beautifully shot. It's a complex story. The filmmaker gave a very patient and feminine touch to a story that takes place during a period of history that's very masculine, without losing any of the unforgiving harshness of the reality where the characters found themselves in.
Just what part does the State play in production to warrant its rake-off? The State does not give; it merely takes.
I'm convinced the true history of our time isn't what we read in newspapers or books...True history is almost invisible. It flows like an underground spring. It takes place in the shadows, and in silence, George. And only a chosen few know what that history is.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
Language is decanted and shared. If only one person is left alive speaking a language - the case with some American Indian languages - the language is dead. Language takes two and their multiples.
To write history is as important as to make history. It is an unchanging truth that if the writer does not remain true to the maker, then it takes on a quality that will confuse humanity.
It seemed to me that the real philosophical breakthroughs of the 20th century were in terms of the understanding of language. What is language? Where does it come from, how does it work, what does it do?
Compared with this simple, fibrous life, our civilized history appears the chronicle of debility, of fashion, and the arts of luxury. But the civilized man misses no real refinement in the poetry of the rudest era. It reminds him that civilization does but dress men. It makes shoes, but it does not toughen the soles of the feet. It makes cloth of finer texture, but it does not touch the skin. Inside the civilized man stands the savage still in the place of honor. We are those blue-eyed, yellow-haired Saxons, those slender, dark-haired Normans.
The atheist, by merely being in touch with reality, appears shamefully out of touch with the fantasy life of his neighbors.
One does, after all, take on many of the givens of a society when one takes on its language.
my belief in the sacrament of the Eucharist is simple: without touch, God is a monologue, an idea, a philosophy; he must touch and be touched, the tongue on flesh, and that touch is the result of the monologues, the idea, the philosophies which led to faith; but in the instant of the touch there is no place for thinking, for talking; the silent touch affirms all that, and goes deeper: it affirms the mysteries of love and mortality.
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