A Quote by Theodora

It occurred to me that there have always been selkie women: women who did not seem to belong to this world, because they did not fit into prevailing notions of what women were supposed to be. And if you did not fit into those notions, in some sense you weren't a woman. Weren't even quite human. The magical animal woman is, or can be, a metaphor for those sorts of women.
I've always been inspired by women, and my mission was to inspire women. I always wanted to become a certain kind of woman, and I became that woman through fashion. It was a dialogue. I would see that the wrap dress made those women confident, and made them act with confidence.
I’ve always been inspired by women, and my mission was to inspire women. I always wanted to become a certain kind of woman and I became that woman through fashion. It was a dialogue. I would see that the wrap dress made those women confident, and made them act with confidence.
The backlash against women's rights would be just one of several powerful forces creating a harsh and painful climate for women at work. Reagonomics, the recession, and the expansion of a minimum-wage service economy also helped, in no small measure, to slow and even undermine women's momentum in the job market. But the backlash did more than impede women's opportunities for employment, promotions, and better pay. Its spokesmen kept the news of many of these setbacks from women. Not only did the backlash do grievous damage to working women C it did on the sly.
I have friends of mine who have died of AIDS and many of those friends...did not tell me until the very end...because they felt that there was a stigma, a taboo, attached to it...now we have more women infected with HIV/AIDS, many of those women were infected by their husbands who did not tell them
I am in no position to judge other women, you know. But I mean, why did she get pregnant? It's not good for women to go through the procedure of abortion and have something living sucked out of their bodies. It belittles women. Even though some women say, 'Oh, I don't mind to have one,' every time a woman has an abortion, it just crushes her self-esteem smaller and smaller and smaller.
The women of Afghanistan, left behind as their men fought, did what the women of World War II did - used their wits and resourcefulness to preserve some semblance of civilization.
I'm going to continue working as a model. I want to do it all! And I think it's possible to keep working while you go to school. Christy Turlington did it. Natalie Portman did it. Emma Watson just did it! And those are just women in the public eye, but plenty of others do it, too. You know, women around the world are great at multitasking. We do it well.
It might seem at first surprising that when I studied women and men talking at work, I found that women 'interrupted' each other more often than men did - when they were in all-women conversations.
I've always loved independent women, outspoken women, eccentric women, funny women, flawed women. When someone says about a woman, 'I'm sorry, that's just wrong,' I tend to think she must be doing something right.
Those of us who live in Mumbai or Delhi have notions about what women who live in Bhopal, or smaller towns, are like; and that perception is wrong. Some people are scared by how complex and subversive these women's lives can be.
I would say at leaner times in the women's division, I feel like there were certain girls who tried to keep the torch going for women's wrestling. If I was one of those women then I feel like I did my job.
I never did that badly with women when I wasn't on telly, but it's a bit out of control now. Women try it on with me more than I'm comfortable with. It's strange, because I think I look like a troll wearing a woman's wig backwards.
I think that one of the tasks of feminist women - mainly women of culture - in our time is to seek out those women who were only forgotten because they were women.
Truthfully speaking, women are dangerous, even those who aren't feminists, because there has always been a women's revolt. Only it has usually translated itself into solitary, individualist, disagreeable manifestations - the whole history of the taming of the shrew, the woman-shrew. They weren't shrews without cause.
I was very proud of that, of taking women and making them vulnerable and so I continued doing that. Right after Beaches I did "Pretty Woman", then I did "Frankie and Johnnie" and then I did "Other Sister" and "Princess Diaries" so that helped me get into the vein there of understanding women and trying to make them very pretty and very interesting.
There were a lot of pretty women in cinema around Audrey Hepburn's time, but she stood out because she had a very interesting personality - which went beyond her looks. She did so much for women, for animal rights, for children's education - it's always the personality that comes through and makes one seem beautiful.
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