A Quote by Theodora Goss

The book itself [The Thorn and The Blossom] is bound accordion-style: it has no spine, so it can open in either direction, and it's in a slipcase. — © Theodora Goss
The book itself [The Thorn and The Blossom] is bound accordion-style: it has no spine, so it can open in either direction, and it's in a slipcase.
The editor, Stephen Segal, actually called me with the idea of creating an accordion book [ "The Thorn & The Blossom"], and asked if I could write a story for it. I was so intrigued! I immediately knew that it had to be a love story told from the points of view of the two main characters. Right away, I started working on a proposal. And once I had my main characters, Brendan and Evelyn, it was as though they started telling me their stories.
So much work went into this book [ "The Thorn & The Blossom"] - you can probably tell from looking at the art and overall design.
The Thorn and The Blossom can be read from either side - you can choose whether to read it from Brendan's or Evelyn's perspective first, and each one will give you a different sense of what happens in the story.
My parents had a sidewalk cafe: every Sunday there was an accordion player and apparently I went through the motions, squeezing a shoebox. One of the regulars in 'the cafe said to my father: "I think you should get your son an accordion-that's what he's trying to do, with that shoebox." So they got me a little cardboard diatonic accordion-I still have it. I started to play the National Anthem, and things like that. It seems I was musically gifted-but my parents just never pushed in that direction.
I actually pushed the boundaries on how long a book like this [The Thorn and the Blossom] can be. The original plan called for two 7,500 word stories, and I turned in two 10,000 word stories.
The appeal of writing a romance was that I'd never written one before the The Thorn and The Blossom.
By Chivalries as tiny, A Blossom, or a Book, The seeds of smiles are planted- Which Blossom in the dark.
The book[ The Thorn and The Blossom] is a love story about two people, Brendan and Evelyn, who meet in a small town in Cornwall where Evelyn has gone on vacation and Brendan is working in his father's bookstore. The story is told from both perspectives, Brendan's and Evelyn's.
Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
How do you tell a valuable French book?' 'First there are the pictures. Then it is a question of the quality of the pictures. Then it is the binding. If a book is good, the owner will have it bound properly. All books in English are bound, but bound badly. There is no way of judging them.
I would tell myself to get more sleep! Believe it or not, I wrote the book while finishing my PhD in English literature. It was wonderful to get away from doing literary scholarship by writing this mythical love story. I think so much of my own love for books and scholarship comes through in The Thorn and the Blossom.
I put that part of myself into both Brendan and Evelyn [from The Thorn and the Blossom] - as well as some of my own anxieties about the academic life!
Now that The Thorn and the Blossom has come out and I'm done with my doctoral degree (yes, I'm finally Dr. Goss), I'm turning to longer projects.
The territorial aristocracy of former ages was either bound by law, or thought itself bound by usage, to come to the relief of its serving-men and to relieve their distresses. But the manufacturing aristocracy of our age first impoverishes and debases the men who serve it and then abandons them to be supported by the charity of the public.
A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.
My first instrument was an accordion. Growing up in Louisiana, my grandmother gave me an accordion because of our Cajun heritage.
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