A Quote by Theodora Goss

The only thing worth thinking about, when I write a story, is whether I like it, whether I want to write it, whether it excites me. — © Theodora Goss
The only thing worth thinking about, when I write a story, is whether I like it, whether I want to write it, whether it excites me.
I don't really worry about whether things fit into a genre or not, it's whether I like it and whether the two things sit well together, that's my main criteria when I write.
There is no such thing as too ordinary to write about, whether that's life or a scene in a novel. What's interesting to people, whether it's memoir or fiction, is the truth.
It seemed to me that I could write commercial fiction. I wasn't sure whether I could, or whether I wanted to write serious fiction at that point. So I said, 'Let me try something else,' and I wrote a mystery - but I didn't know much about it.
I saw one of the absolute truths of this world: each person is worrying about himself; no one is worrying about you. He or she is worrying about whether you like him, not whether he likes you. He is worrying about whether he looks prepossessing, not whether you are dressed correctly. He is worrying about whether he appears poised, not whether you are. He is worrying about whether you think well of him, not whether he thinks well of you. The way to be yourself ... is to forget yourself.
I write what I think is funny and I write from a sense of popping a balloon or a sense of injustice, whether it's about yourself, or whether it's about something else. It's my worldview; it doesn't mean that everybody has to agree with it.
One of my big revelations was that nobody cares whether you write your novel or not. They want you to be happy. Your parents want you to have health insurance. Your friends want you to be a good friend. But everyone’s thinking about their own problems and nobody wakes up in the morning thinking, ‘Boy, I sure hope Sam finishes that chapter and gets one step closer to his dream of being a working writer.’ Nobody does that. If you want to write, it has to come from you. If you don’t want to write, that’s great. Go do something else. That was a very liberating moment for me.
If you are female, and conditions are otherwise apt, you are supposed to decide whether you want to become a mother by thinking carefully about whether you really want to have a child of your very own, what it would be like to be a mother, whether this is something you really want and will be happy with, etc. In general, you are supposed to evaluate whether you should have a child largely on the basis of what you think it will be like for you to have a child.
There is no trick to it. If you like to write and want to write, you write, no matter where you are or what else you are doing or whether anyone pays any heed.
A lot of writers that I know have told me that the first book you write, you write about your childhood, whether you want to or not. It calls you back.
I believe that basically you write for two people; yourself to try to make it absolutely perfect; or if not that then wonderful. Then you write for who you love whether she can read or write or not and whether she is alive or dead.
And what it depends on, of course, is whether the story itself is worth the ethical compromise it requires and whether the competition is onto the story.
All I'm saying is that, you know, whether we're worth a billion, whether we're worth a million, whether we're worth $1,000, it's what's in your heart. You know, $100 a month from somebody or $50 a year for people who may be in a less economic bracket, that's as important to the Lord.
I want everything we do to be beautiful. I don't give a damn whether the client understands that that's worth anything, or that the client thinks it's worth anything, or whether it is worth anything. It's worth it to me. It's the way I want to live my life.
I spend a fair amount of time just thinking about whether something is feasible or not, and if it is feasible, whether it's really worth doing.
I want everything we do to be beautiful. I don't give a damn whether the client understands that that's worth anything, or that the client thinks it's worth anything, or whether it is worth anything. It's worth it to me. It's the way I want to live my life. I want to make beautiful things, even if nobody cares.
The first thing I look at with a project isn't who's directing, whether it's a big film; it's the character and whether I want to tell her story.
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