A Quote by Theodore Annemann

Audiences are far from being as dumb as some performers seem to think. — © Theodore Annemann
Audiences are far from being as dumb as some performers seem to think.
That's another thing that's depressing: certain attitudes in Congress. They assume that you're dumb; they can take advantage of you being dumb. I find that offensive. It insults our intelligence. They're playing us for dumb and they're being dumb in doing it. But I believe that's gonna change. I think those people, the McConnells, are not helping us at all. They're taking us backward in time.
Audiences are very sophisticated and they know the nuts and bolts of the genre - certainly with horror more than others I think. But they attract lots of people, they're much derided as a genre but people go and see them and they're not all dumb. There's some very clever horror films. Stephen King gets a lot of flack for not being a proper writer because he's a horror writer, but I think he writes some brilliant books. I think it's wrong to just bin it before looking at it.
Some of the most powerful female performers I've seen balance the feminine and the masculine and are incredibly strong. Like, I think Hayley Williams is one of the best rock performers.
Make no mistake about it, you are dumb. You’re a group of incredibly well-educated dumb people. I was there. We all were there. You’re barely functional. There are some screw-ups headed your way. I wish I could tell you that there was a trick to avoiding the screw-ups, but the screw-ups, they’re a-coming for ya. It’s a combination of life being unpredictable, and you being super dumb.
I think one of the most wonderful things we can do as performers is to remind audiences that they can still relate to the emotions and feelings, as though the music had been written yesterday.
I don't seem to get solemn about it, and some people might not understand. That's why I never talk about it. I think it's all here -- in the mountains and the desert. I don't think God is a softie, either. In the end, it's better if people are forced back into -- well -- into being right, before they're too far gone. I think your temple is your everyday living.
Some economists seem to think that only a credentialed economist has the right to be utterly wrong about an issue of economics. Their contempt for amateurs - columnists with broad audiences, for example - would sear the lungs if inhaled.
They see a blooper here and there, and they just think, 'Oh, he's dumb.' I mean, what can I do? I can't 'at' everyone on Twitter and tell them I'm not dumb. Because that looks dumb.
I seem to voice a lot of sweet, kind of dumb yellow characters for some reason.
If fake news that's being released by some foreign government is almost identical to reports that are being issued through partisan news venues, then it's not surprising that that foreign propaganda will have a greater effect, because it doesn't seem that far-fetched compared to some of the other stuff that folks are hearing from domestic propagandists.
Dumb animals we call them, while they bark and neigh and moo. They talk as much as we do - to them we seem dumb too.
I think when black performers performed in blackface, they were kind of taking back slave songs, but it was still a little bit iffy because they were performing, a lot of times, for white audiences who found it hilarious.
Architects are today routinely indoctrinated against the dumb box. Even advertising urges us to "think outside the box." Why? Because it is thought we all hate the box for being too dumb, too boring, and we want to escape it. If we do escape, by buying the advertised product, we usually find ourselves inside another dumb box populated by boring people just like us. It is clearly possible to live an extraordinary life inside a dumb box. Question: is it possible to lead an extraordinary life in anything other than a dumb box?
Some males are intelligent, some are dumb. Some females are intelligent, some are dumb. We're all human beings, no one is superior.
Johnny Depp, as far as I'm concerned, is number one. Of his generation, there's no one who can touch him. Some performers, today, it's like looking at holes in the air.
The role of an orchestra in the 21st century isn't just playing, it's about developing future audiences and performers.
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