When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
Every actor wants to direct and produce, but I made a conscious decision when I was in college to understand the 'business' of 'show business.'
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
We joke about it in the entertainment industry: Every actor wants to be a musician, and every musician wants to be an actor.
Truthfully, most directors don't direct actors. Every actor is different, so when you're asked, "How do you approach an actor?," it depends on the actor. With some, you do nothing. With some, you're very specific.
Every actor wants to be versatile; everyone wants to do something different.
With every action oriented or adventure film, there's going to be a moment when every actor becomes a stuntman and every stuntman becomes an actor. You try to do as much of it as you can, but inevitably the studio wants you to finish the movie. So you've got to slow down and you're really got to defer to your team to make sure you do.
Every actor is like, 'I could direct!'
It's not like I'm looking for things that I can direct that I can also act in, but when it's right, I feel like the actor side of me wants to have that opportunity.
Every actor I ever meet goes, 'Ultimately I plan on having my own company and write and direct,' but yes, I too would love to write and direct a movie. I want to do a play, too. I want to do it all.
I think actors are divided into two groups: one that wants to be an actor to become famous and rich, and the other that wants to be an actor because they have to be. I'm more in the second group.
If a musician wants to be an actor, everyone thinks that's pretty cool. But if an actor wants to play a song, even if they've been doing it for 40 years, that's bad news.
[Ed Lauter] was an actor's actor. I love working with that class of actor. You know, they come in, they do it, no bullshit. There's no artifice, there's no fanciness, they're just honest and tough and direct.
Every kid wants to be an actor. When I was a kid, I thought, 'Oh, it'd be great to be like Errol Flynn. I want to be an actor.'
My oldest step-son wants to direct or produce. As far as being an actor, I've already told them they have to wait until they're 18; I won't take them to auditions.
I think every leading man wants to be a character actor, and every character actor wants to be a leading man.