A Quote by Theodore Parker
What sad faces one always sees in the asylums for orphans! It is more fatal to neglect the heart than the head.
Related Quotes
Paul was not ignorant of Satan's devices, but we are not so wise. Among his most successful devices today are these: exalting tolerance above truth; emphasizing the head more than the heart; making size more important than sort; stressing the positive to the neglect of the negative; putting happiness above holiness; majoring on this world instead of the next.
It is the heart always that sees, before the head can see.
A warrior chooses a path with heart, any path with heart, and follows it; and then he rejoices and laughs. He knows because he sees that his life will be over altogether too soon. He sees that nothing is more important than anything else.
The heart errs like the head; its errors are not any the less fatal, and we have more trouble getting free of them because of their sweetness.
Heart weeps. Head tries to help heart. Head tells heart how it is, again: You will lose the ones you love. They will all go. But even the earth will go, someday. Heart feels better, then. But the words of head do not remain long in the ears of heart. Heart is so new to this. I want them back, says heart. Head is all heart has. Help, head. Help heart.
The errors of the intellect are fatal, still more dangerous than those of the heart.
Reason is always a kind of brute force; those who appeal to the head rather than the heart, however pallid and polite, are necessarily men of violence. We speak of 'touching' a man's heart, but we can do nothing to his head but hit it.
The man who sees little always sees less than there is to see; the man who hears badly always hears something more than there is to hear.
In our wide world there is but one altogether fatal personage, the dunce,--he that speaks irrationally, that sees not, and yet thinks he sees.
I use my platform for more than just myself. Art is a reflection of human emotions. To neglect the political is to neglect what essentially is your job of storytelling. I would rather be known for the content of my character than for the project that I did.
I love comedy. David's Lynch the only person I've worked with more than once who sees me as a specific thing - he sees me as the sexy bimbo, in ways, and he also sees me as Lucille Ball. Actually, Nick Cage and I did Lucy and Ricky in two scenes in Wild at heart that were cut because the movie was four hours long.
While technically I did not commit a crime, an impeachable offense... these are legalisms, as far as the handling of this matter is concerned; it was so botched up, I made so many bad judgments. The worst ones, mistakes of the heart, rather than the head. But let me say, a man in that top job - he's got to have a heart, but his head must always rule his heart.
In an ideal world, we would have been orphans. We felt like orphans and we felt deserving of the pity that orphans get, but embarrassingly enough, we had parents.
I'm a war of head versus heart, it's always this way. My head is weak, my heart always speaks, before I know what it will say.
I would not know how I am supposed to feel about many stories if not for the fact that the TV news personalities make sad faces for sad stories and happy faces for happy stories.
The eye sees more than the heart knows.
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