A Quote by Theodore Roethke
I can't go on flying apart just for those who want the benefit of a few verbal kicks. My God, do you know what poems like that cost? They're not written vicariously: they come out of actual suffering, real madness.
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When somebody's in love with you, they think it's amazing you've written them a poem, and when they don't love you anymore, they hate those poems. They wish those poems would go away.
A great number of those working for liberal causes are not only shy but borderline collusive. They want change to happen nicely, and it won't. They want decency to come about without anybody suffering or being embarrassed, and it won't. And most of all they want to give many of the enemies of open government the benefit of the doubt, and I don't. It's not just a difference of approach, it's a complete schism in our respective philosophy. You can't go about disclosure in the hope that it won't spoil anybody's dinner.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
You know why I love Chicago? Because this is just like Baltimore. Like, you can't go to Baltimore and be fake. They gonna point you right out, like, "Nah, you fake, go ahead outta here." They're going to chew you up and spit you out if you're fake. And if you come to Chicago, you can't be fake, in terms of the love and the concern. You gotta be real. Your good intentions - people want to feel that. We don't get enough of that.
It is madness. And if you don't know who you are, or if your real self has drifted away from you with the undertow, madness at least gives you an identity. It's the same with self-loathing. You're probably just normal and normal-looking but that's not a real identity, not the way ugliness is. Normality, just accepting that you're probably normal-looking, lacks the force field of self-disgust. If you don't know who you are, madness gives you something to believe in.
The reality is if something were to happen that cost China jobs - like, if they upwardly revalued the currency a lot - those jobs aren't going to come back to the U.S. They would go to Vietnam; they would go to Thailand. They would go to whatever country was the lowest cost.
Who do you know, who could come out on a flying carpet? P. Diddy standing at the bottom, come out like a concert, dancing, oozing confidence, and then get in and take somebody out? Come on, do you know anybody in the history of the sport that did what Prince Naseem did? I ain't trying to brag, but I was bloody good at it.
Investors are trying to work out some risk premiere that have some correspondence with actual risks. But they don't, they're not, they can't go very far that way, because the actual correspondence isn't really there in a lot of cases. So once people stop believing in these stories, and then the crash can come very, very quickly. They believe that house prices are correctly priced for some time and then suddenly they realized there's no real basis for that. But what is the correct price? We don't know that either. It's just that everything swings.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
I wrote those poems for myself, as a way of being a soldier here in this country. I didn't know the poems would travel. I didn't go to Lebanon until two years ago, but people told me that many Arabs had memorized these poems and translated them into Arabic.
The moon people do not eat by swallowing food but by smelling it. Their money is poetry - actual poems, written out on pieces of paper whose value is determined by the worth of the poem itself.
We should all visit the sick. When they are in sorrow and suffering, it is a real help and benefit to have a friend come. Happiness is a great healer to those who are ill....This has a greater effect than the remedy itself. You must always have this thought of love and affection when you visit the ailing and afflicted.
But as an entrepreneur you have to feel like you can jump out of an aeroplane because you're confident that you'll catch a bird flying by. It's an act of stupidity, and most entrepreneurs go splat because the bird doesn't come by, but a few times it does.
When I first encountered the poems of Jon Woodward, I was stunned into the state that is my life's joy-I was in the presence of the inimitable. Uncanny Valley extends that experience-almost into another dimension. These apocalyptic, pixilated poems forge a mythology of our ravaged culture, one that might have been written in the future. If you want poetry to give you a persimmon on a plate, look elsewhere; if you want to know what happens when seven trees fall on the highway and the story is told by a stutterer, this is the book, and it could only have been written by Woodward.
Unbelievers, those who believe with difficulty, or believe in part, are those who do not show their faith through works. Apart from works the demons also believe (cf. Jms. 2:19) and confess Christ to be God and Master. 'We know Who You are' (Mk. 1:24), they say, 'You are the Son of God' (Mt. 8:29), and elsewhere, 'These men are the servants of the Most High God' (Acts 16:17). Yet such faith will not benefit the demons, nor even humans. This faith is of no use, for it is dead.
J. Tillman was kind of an alter ego. There was a lot I didn't want people to know about my real life. With Father John Misty, I leave everything in: so much so that I lose sleep before these albums come out because there is always a line or two in there where I'm just like, 'This is not going to go down very well.'
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