A Quote by Theodore Roosevelt
In other words, character is far more important than intellect to the race as to the individual. We need intellect, and there is no reason why we should not have it together with character; but if we must choose between the two we choose character without a moment's hesitation.
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Character is far more important than intellect in making a man a good citizen or successful at his calling- meaning by character not only such qualities as honesty and truthfulness, but courage, perseverance and self-reliance.
The essential thing is action. Action has three stages: the decision born of thought, the order or preparation for execution, and the execution itself. All three stages are governed by the will. The will is rooted in character, and for the man of action character is of more critical importance than intellect. Intellect without will is worthless, will without intellect is dangerous.
Brains and character rule the world. The most distinguished Frenchman of the last century said: Men succeed less by their talents than their character. There were scores of men a hundred years ago who had more intellect than Washington. He outlives and overrides them all by the influence of his character.
Life as a performance is just a way to look at life choices as character choices. Every morning you choose what to wear, you choose how to wear your hair, you choose your friends, you more or less choose your profession, and how hard you will work at it. Those are all things that an actor decides about his character when he is performing, and they are things that we decide in life. We create our "character."
Character is the direct result of mental attitude. I believe that character is higher than the intellect. I believe that leadership is in sacrifice, in self-denial, in humility and in the perfectly disciplined will. This is the distinction between great and little men.
Also, with acting and dancing I portray a predetermined character and story for the most part, with music I have the creative freedom to create a song on a whim with whomever I choose and at whatever time I choose to do it. It's more liberating artistically and that's why I've stuck with it. It's a good balance to be able to portray a character and also be myself in avenues that I'm passionate about.
One of the most important lessons that experience teaches is that, on the whole, success depends more upon character than upon either intellect or fortune.
A doctrine-teaching, character-building university, the Brigham Young University is dedicated to the building of character and faith, for character is higher than intellect . . . . We are men of God first, men of letters second, men of science third, and noted men fourth, men of rectitude rather than academic competence. . . . Our academic training must be as impeccable as our lives.
I don't choose parts. I choose filmmakers. I'm done trying to make a statement with a character. What happens is, I craft a performance from the beginning to the end of the character. Then I release it to the director, and he interprets what I gave him.
I choose a film only if my character has got importance. My character should have some weight. I shouldn't be someone who just comes and goes.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
Character repudiates intellect, yet excites it; and character passes into thought, is published so, and then is ashamed before newflashes of moral worth.
True success depends more on character than on intellect.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
When you are writing a character, what the character says is obviously crucial. But what the character doesn't say is absolutely as important as his words.
Roshan Sherchan is a grey character and that's the challenge. He's not all bad. Even though people will hate him, they'll still wonder why he did what he did. I enjoyed playing this character a lot because he will make the audience choose between things.
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