A Quote by Theodore Schultz

Farmers the world over, in dealing with costs, returns and risks, are calculating economic agents. Within their small, individual, allocative domain, they are fine-tuning entrepreneurs, tuning so subtly that many experts fail to recognize how efficient they are.
Intention appears to be something akin to a tuning fork, causing the tuning forks of other things in the universe to resonate at the same frequency
A lot of the time I use slide tuning for rhythm parts. I play a lot of slide in regular tuning as well as open tunings. I'm still mad about slide, there are so many ways of progressing on it.
Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
Popular as Keynesian fiscal policy may be, many economists are skeptical that it works. They argue that fine-tuning the economy is a virtually impossible task, and that fiscal-stimulus programs are usually too small, and arrive too late, to make a difference.
There's always the joy of the performance and fine-tuning new interpretations. Over the years, we've all grown as musicians, so obviously there is a lot of subtlety that wasn't there in the first place.
Vienna, to me it was the tuning fork for the entire world. Saying the word Vienna was like striking a tuning fork and then listening to find what tone it called forth in the person I was talking to. It was how I tested people. If there was no response, this was not the kind of person I liked. Vienna wasn't just a city, it was a tone that either one carries forever in one's soul or one does not. It was the most beautiful thing in my life. I was poor, but I was not alone, because I had a friend.
It's all about tuning out the noise, tuning out all the stuff that simply doesn't move the game forward - the doubt, the personal agendas, the often deafening fear of judgment and the need to please - so that you can ultimately get to that place of quiet, of calm, where you can focus on what really matters.
I also generally play slide guitar in standard tuning, which enables me to switch back and forth between using the slide and fretting notes and chords conventionally without having to relearn the fretboard, as one must do when playing in an open tuning.
I am more into fine-tuning, mindsets, and how you play the game. Very rarely will I go and tinker with a player unless I think it is needed.
I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there.
The first instrument I had was made in the late '70s. Back then they had basically one tuning. I shifted slightly away from that tuning right away (to what is now called the Baritone Melody Tuning), because I wanted more string overlap between the two sides.The instrument I currently play has an active pickup system, Fret Rails, a fully adjustible bridge, adjustible truss, Flaps adjustible nut. Even with all of these advances, I'm always struck when I play the older instrument how good they were even then. Emmett's always been great at implementing his ideas.
The fine tuning of the universe provides prima facie evidence of deistic design.
When we first started, in the early Eighties, we had some crappy guitars - Japanese knockoffs that wouldn't hold standard tuning. Later, we'd shove drumsticks or screwdrivers under strings to scheme new noises, sure. But initially, open tuning was a technique used to make our cheap guitars sound better. It wasn't academic or conceptual.
Most of the model consolidation we've done is behind us. There will be some fine tuning.
I find that many entrepreneurs are trying to do everything when it would be cheaper and more time-efficient to delegate, even if there are monetary costs associated with that.
Like cars, every relationship requires a bit of an occasional service, and fine-tuning should be compulsory.
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