A Quote by Theodore White

When the bus or the plane rolled or flew through the night, they sang songs of their own composition about Mr Nixon and the Republicans in chorus with the Kennedy staff and felt that they, too, were marching like soldiers of the Lord to the New Frontier.
He learned through the way that my father and I felt about his songs, his country songs, that they were great songs. And then he went out and sang them for the audiences that we found, and he found a tremendous reaction to that.
I wanted to play rock and roll when I started playing. Nobody at that time ever thought about songwriting. You sang songs, that's all. You sang other people's songs. That's all there were.
Nixon started auditing late-night show hosts because they were making jokes about him. Then, every single one of their staff got tax audits.
There were no jobs created in America from 1945, when the war ended, through 2003. How could there be? Taxes were too high. Preposterously so under Eisenhower, Kennedy, Nixon, Reagan (who left office with a 28 percent rate on long-term capital gains) and Bush the Elder.
I’ll be marching through the morning, Marching through the night, Moving 'cross the borders Of My Secret Life.
I would be with a bunch of Kennedy fans watching the debate, and their comment would be, 'He's really slaughtering Nixon.' Then we would all go to another apartment, and the Nixon fans would say, 'How do you like the shellacking he gave Kennedy?'
When you look at Kennedy and Nixon, TV played a crucial part in Kennedy's popularity. He was incredibly photogenic, while Nixon was this scowling figure. American viewers judged him on his appearance on TV.
The bus scares me. Way too many gross people on the bus. Sixty-five people on the bus and I was the last one on. I felt like calling Unsolved Mysteries. 'Yeah, I found everybody.
I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.
My father being a soldier, every time I saw soldiers marching - 'Well,' I thought, 'my father's that,' and these soldiers were always looking magnificent. And I thought they were powerful; they were all-powerful. I knew that they were an elite in India.
One of the most beautiful things that recruited me to join the LaRouche movement is its emphasis on Classical singing and composition, especially with the Negro Spirituals, adding a new depth of profundity to songs I had sang while growing up.
I've done the Kennedy Center many times. I've sang for Marian Anderson. I've sang for Marion Williams. I've sang for Lionel Hampton.
We stand today on the edge of a new frontier - the frontier of the 1960's - a frontier of unknown opportunities and perils - a frontier of unfulfilled hopes and threats.
All through the deep blue night The fountain sang alone; It sang to the drowsy heart of the satyr carved in stone. The fountain sang and sang But the satyr never stirred- Only the great white moon In the empty heaven heard.
I suppose in some ways doing some of the songs in the show felt a bit like I was doing cover versions. I was covering myself. Not that they didn't feel like my songs, but the way I was approaching them was from a place so outside where they were written. The fact that these songs were in the context of a live show was a new thing.
There was an open mic night when I was about 11 years old and I went and I played the songs that I'd written in my bedroom and it was the first night where I felt like I was myself at school.
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