A Quote by Theodore Zeldin

The great attraction of fashion is that it diverted attention from the insoluble problems of beauty and provided an easy way -- which money could buy... to a simply stated, easily reproduced ideal of beauty, however temporary that ideal.
In Brazil, there isn't just one beauty ideal. There's a lot of emphasis on a woman's natural beauty - but of course, Brazilian women love expressing their beauty through makeup.
Blessed is he who carries within himself a God, an ideal, and who obeys it: ideal of art, ideal of science, ideal of the gospel virtues, therein lie the springs of great thoughts and great actions; they all reflect light from the Infinite.
The ideal gymnast would be between 4 feet 7 and 5-2. I wouldn't be able to pinpoint an ideal height, however. It would be foolish to say that a gymnast above 5-2 could not be great.
I simply contend that the middle-class ideal which demands that people be affectionate, respectable, honest and content, that they avoid excitements and cultivate serenity is the ideal that appeals to me, it is in short the ideal of affectionate family life, of honorable business methods.
The ideal and the beautiful are identical; the ideal corresponds to the idea, and beauty to form; hence idea and substance are cognate.
This beauty ideal is everywhere. You can't escape it - TV, wallpaper, posters, billboards, magazines. They put on these crazy perceptions about what people should look like. It's really shocking the way everybody is striving for this one thing, this ultimate beauty, but what is it?
It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is that they realise their ideal too absolutely. For, when the ideal is realised, it is robbed of its wonder and its mystery, and becomes simply a new starting-point for an ideal that is other than itself.
Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all, you must not strip it of vitality.
The ideal beauty is a fugitive which is never found.
Formerly it was the fashion to preach the natural; now it is the ideal. People too often forget that these things are profoundly compatible; that in a beautiful work of imagination the natural should be ideal, and the ideal natural.
In this same tradition, beauty is inextricably bound up with the principles of order and harmony believed to underlie the cosmos. Artists in the Classical tradition, inspired by Platonic idealism, strove to create images that represented not the world of particulars-with all its defects-but an ideal image conceived in the mind, which was taken as representing some absolute, pure, ideal form of which all particular, material forms are but a mere shadow.
I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and to achieve. But if needs be, it is an ideal for which I am prepared to die.
Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all you must not strip it of vitality. You must find it in life and re-create it in art.
I have lived for over three hundred years. In that time, the ideal of beauty has changed many times. Large breasts, small, thin, curved, tall, short, they have all been the height of beauty at one time or another. But in all that time, ma petite, I have never desired anyone the way I desire you." - Jean-Claude
Beauty ensnares hearts, captures minds, and stirs up emotional wildfires. From Plato to pinups, images of human beauty have catered to a limitless desire to see and imagine an ideal human form.
The first recognition of beauty was one of the most significant events in the evolution of human conciousness... seeing beauty in a flower could awaken humans, however briefly, to the beauty that is an essential part of their own innermost being, their true nature.
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