A Quote by Theodore Zeldin

The English reputation for humour is a way by which people avoid revealing themselves and have superficial relationships, so that you can engage in banter without making yourself vulnerable.
Poets these days, like artists and composers, have won for themselves almost unlimited freedom. You can pass yourself off as a painter without being able to draw, as a composer without being conscious of key relationships, and as a poet without making yourself familiar with traditional verse forms.
What I see as specially English is the charm - everyone is so polite. Being restrained is part of the charm. And I love the sense of humour - it takes me back to Australia. The English are great at making fun of themselves. They're so self-effacing.
You look on the Internet, and people are transforming themselves on a daily basis, and it's not a superficial thing, it's not a vain thing, and it's not an "I don't like the way I look" thing. It's people truly being creative. It's a way of making your mark and making a statement, and I love that. Beauty is making a statement in whichever way you choose to do so, and I think that's a beautiful thing.
The only way to fall in love is to allow yourself to be vulnerable. The only way to dare to dream and making incredible things happen is to be vulnerable.
Being vulnerable is allowing yourself to trust. That's hard for a lot of people to do. They feel a lot more secure if they kind of put walls around themselves. Then they don't have to trust anybody but themselves. But to allow you to trust not only yourself but trust others means - is what's required to be vulnerable, and to have that kind of trust takes courage.
'Taskmaster' taps into a universal humour of people making a fool of themselves.
In the Muslim-majority countries you can't do without Islam, we can't do without their culture, in which way they are going to come back to this Islamic reference to find a way to deal with the true challenges and not the superficial political questions.
Without good humour, learning and bravery can only confer that superiority which swells the heart of the lion in the desert, where he roars without reply, and ravages without resistance. Without good humour virtue may awe by its dignity and amaze by its brightness, but must always be viewed at a distance, and will scarcely gain a friend or attract an imitator.
Reputation is the cornerstone of power. Through reputation alone you can intimidate and win; once it slips, however, you are vulnerable, and will be attacked on all sides. Make your reputation unassailable.
Always changing genres, making very different films is a good idea. It's a way of making yourself feel vulnerable again, getting back to that innocence. As is working within a circumspect budget.
Having a co-host helps, because the humour comes through the banter you have with them.
According to liberals, you can't joke, there's no lighthearted banter. One cannot engage in any kind of traditional stereotypical humor because leftists cannot laugh at themselves. As I say, there's not much laughter in liberalism anyway. And they have all of these politically correct barriers up here.
Freedom of expression is actually a way for people to know themselves better, and to understand themselves better. Because without it, you become a stranger to yourself.
If you don't know yourself, if you don't control yourself, if you don't have mastery over yourself, it's very hard to like yourself, except in some short-term, psych-up, superficial way.
A musician cannot move others unless he too is moved. He must of necessity feel all of the affects that he hopes to arouse in his audience, for the revealing of his own humour will stimulate a like humour in the listener.
A lot of people think that my work is about mocking or making fun of things, but a lot of it is about discomfort and making myself as uncomfortable as the men feel, or putting myself in a situation where I'm revealing my loneliness as much as they're revealing theirs.
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