A Quote by Theresa Rebeck
Rarely do I try to pull a creature out of life and make it a character.
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I take stuff from real life and try to make a character out of it. And I try to live the world of the characters a little bit.
I love when you take bizarre, non-human things and somehow make them human or accessible. I think that's why I like the practical effects. You can look at a creature and still see vulnerability or the character behind the creature. To get character behind CG creatures, that's so few and far between.
The problem is there are so many stories out there where I can pull that superhero out, put any other superhero in, and the story works the same. For me, that's broken. I have to write a story that no one else but Aquaman or Shazam can be in, and as soon as you pull that character out and out someone else in, it doesn't work.
It's an appreciation for life generally, every bit of life, the smallest creature that lives in the intestines of termites that make termite life possible - to the leaves that turn out oxygen and grab carbon dioxide and with water make simple sugars that feed much of the world. I mean, these are everyday miracles.
Any character can find an audience and work if you have passion for that character. You might have to just scrape off the dirt and the barnacles and pull it out and highlight it.
I have a pathetic urge at some stage in my life to be able to pull out my wallet and pull out a little card on which it would say, 'Kenneth Branagh, artistic director.'
I try mainly to just focus on character and what my character's point of view is, with each person, and try to figure out story.
Don't try so much to form your character - it's like trying to pull open a tight, tender young rose. Live as you like best and your character will take care of itself.
When I'm following what a character does in a book I don't have to think about my own life. Where I am. Why I'm here. My moms and my brother and my old man. I can just think about the character's life and try and figure out what's gonna happen. Plus when you're in a group home you pretty much can't go anywhere, right? But when you read books you almost feel like you're out there in the world. Like you're going on this adventure right with the main character. At least, that's the way I do it. It's actually not that bad. Even if it is mad nerdy.
It is not the smallest use to try to make people good, unless you try at the same time - and they feel that you are trying - to make them happy. And you rarely can make another happy, unless you are happy yourself.
what a writer does is to try to make sense of life. I think that's what writing is, I think that's what painting is. It's seeking that thread of order and logic in the disorder, and the incredible waste and marvelous profligate character of life. What all artists are trying to do is to make sense of life.
Improvisation is a weird word because we often think it means that you make things up out of whole cloth right there on the spot, and that's rarely the case in acting. You have to know who the character is, what the situation is and what is needed.
With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.
I let the comedy come through the character and just try to make sure that everything is kind of rounded in a truth, in a reality, because that's what I need to make a character work.
All my songs usually borrow from my own life but pull from fantasy or other people's stories that you hear, or something you read. It's fun as a writer to pull from all those different places, and to connect them. But also, I don't have an interesting enough life to strictly pull from that.
When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.
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