A Quote by Theresa Rebeck
A lot of times, I think people feel that new plays are suspect, and actually, I don't know where that came from. I completely disagree with it!
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The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.
When you think about being contrarian, you have to think about?-?how is it that smart people will disagree with me, disagree with me ...from a position of intelligence, and there is something that I know that they don't know, that will actually in fact play out to be true.
Making a film or doing a play are completely different experiences and entirely fulfilling, but completely unique. I also think one complements the other. People often say that theater is about flexing your muscles, and is actually real acting, whereas I sort of disagree.
At times, I feel America is something that I can actually put my arms around, more than a land mass and a Constitution, something far more containable and understandable. I don't exactly know what it is, but at these times I feel completely woven into it.
You know, growing up my - you know, I came from Compton, Calif., and, you know, it was a place where a lot of people did come out when a lot of people stayed. So I've been able to see the top and the bottom of life, and I think that balances you if you allow it to and if you remember where you came from.
A lot of times people feel a little apprehensive about suggesting to actually meet in person. One of the reasons that can be hard is people think they have to propose something super novel.
The New York Times ,the New York Times is actually telling the Clinton, both of them that they need to come clean on all the money where it came fr?m.
A lot of times we have these categories that maybe don't fit the reality of human experience and human identity. I'm completely sympathetic to what a lot of people in my community are saying - that often as Asian Americans we're made to feel more foreign than we internally feel ourselves.
Getting signed shouldn't be the point. I made that mistake early on and I think a lot of people do. It's not something you should rush into. I think I'm actually lucky that when I went to visit labels when I was 20 years old and played and they thought I wasn't ready, it was probably a good thing because I wasn't ready. I didn't know what I was getting intoat the time. I mean, you never know exactly what you're getting into. There's a lot of stuff that's going on right now that's new to me but there's also a lot that I'm lucky to know how to handle.
What I like to do with music is make people feel better. Make people realize that all humans have the same problems, more or less. A lot of people deal with the same thing. A lot of times people think problems are specific to them and they if they hear a song about a problem common to them, they feel good because they know that someone else has gone through it.
What's 'straight news?' I guess a lot of people out there in the general public would probably say the New York Times and Reuters. I just disagree that is straight news.
I think, you know, people think of the city of New Orleans as a parochial place where it's a lot of folks who are from there and a lot of big families, a lot of musical families, a lot of history, a lot of tradition, but I like to think of New Orleans as an idea.
People don't actually, a lot of times, know the game behind the game. If people think that they do, it's a little bit of a naïve assessment of how the [writing] industry works.
We feel a deep pleasure from realizing that we believe something in common with our friends, and different from most people. We feel an even deeper pleasure letting everyone know of this fact. This feeling is EVIL. Learn to see it in yourself, and then learn to be horrified by how thoroughly it can poison your mind. Yes evidence may at times force you to disagree with a majority, and your friends may have correlated exposure to that evidence, but take no pleasure when you and your associates disagree with others; that is the road to rationality ruin.
I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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