A Quote by Theresa Rebeck

I actuall have to defend realism in theatre because I think TV does it badly - so corrupted by layers of bureaucrats who want to leave examination or psychology. — © Theresa Rebeck
I actuall have to defend realism in theatre because I think TV does it badly - so corrupted by layers of bureaucrats who want to leave examination or psychology.
Now I'm on television, I'm far more conscious of my skin than I used to be - I would often leave the theatre with layers of pancake make-up still on my face, but on a medium such as TV, I have to be more fastidious.
The functionaries of our political organizations and trade unions are corrupted - or rather tend to be corrupted - by the conditions of capitalism and betray a tendency to become bureaucrats, i.e., privileged persons divorced from the people and standing above the people.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.
We have a tendency to always test people's love. 'I want to see how badly I have to behave before you'll leave me. Because I don't really think you want me anyhow.'
If you want more people to come to the theatre, don't put the prices at £50. You have to make theatre inclusive, and at the moment the prices are exclusive. Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.
But I leave the arena late in games specifically because I don't want anyone to see my psychology.
I'm against big bureaucracy in Washington making health care decisions. I just have an aversion to bureaucrats. But it's not just government bureaucrats. I don't like HMO bureaucrats and insurance company bureaucrats either.
Remember, most of the bureaucrats voted for Hillary Clinton. Most of the bureaucrats deeply dislike what Trump is trying to accomplish, and most of the bureaucrats think they can't be fired, so they can outlast you.
I think Donald Trump does want a result. He clearly, in the meeting that we had was trying to sort of push the process along, realizing that the Senate has a role to play and that there are differences of opinion. I think he wants it to be a health care plan, proposal that we can go out there and defend and that he can defend and argue for to the American people.
When I was doing theatre in Mumbai, actors won't come because they had television. For many years, I did theatre religiously and in Mumbai, I saw people disrespecting it and it hurt me very badly.
I don't leave London, really, and I don't do theatre, because I want to put the kids to bed.
Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
I think that layers in music, whether it's layers juxtaposing emotions and feelings or layers of texture, make for a more interesting product.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
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